Top 10 restaurants in Rome

As more and more visitors are returning to Rome I am getting asked this question often, hence the post!  I originally posted this 10 years ago………that’s why they call Rome the ‘Eternal City’, nothing much changes very quickly, and when it comes to food, I am eternally grateful for that.

My definition of a top Roman restaurant is one that has one or more of the following characteristics:

• has been in operation for at least one hundred years
• is family run 
• specialises in traditional Roman cuisine (simple, fresh, and offal based)
• has a menu that changes depending on what is available at the market that day
• is frequented by Romans
• offers excellently cooked gluten free pasta dishes 

I found all the following through living here, walking past them, sampling them extensively (as well as a lot of others). There are also many excellent restaurants in the suburbs of Rome but I have stuck to the city centre, where most visitors will be staying and prefer to eat. So here goes, not in any particular order:

1.  Antica Hostaria Romanesca – Piazza Campo dei Fiori, 40 – 06 6864024

I have been going here for over 25 years. The bread and fettucine are home-made by the Nonna who sits in the small front room of the restaurant and makes it while you watch if you are lucky. Her grandson Luca and his sister run the restaurant. It consists of one small room plus a square of the piazza. There is a sign on the wall written in local dialect warning about the wait and not to bother the chef with complaints.  But it is worth it.  Dishes are individually and lovingly prepared, and spilling over with food of the highest and freshest quality. 

The Spaghetti alla Carbonara, Pollo con Peperoni (a uniquely Roman dish)/chicken with capsicum, and Fegato alla griglia/grilled liver (featured above along with the roasted porcini mushrooms and puntarelle salad, burrata cheese and grilled zucchini, and a dessert called Sbriciolata alla nutella) are the best I have ever tasted.  But everything on the menu is good, cheap, and cooked with care and attention to detail.  Try any of the specials as they will be seasonal and based on the chefs traditional knowledge. And while you are waiting you will have the spectacular Campo dei Fiori to watch – full of people, no cars, magnificent medieval buildings, and a statue of Giordano Bruno, the last person burnt to death there in 1600 for heresy (proclaiming that the earth circled around the sun rather than the other way around).  Reflect on how, if waiting for some spectacular Roman food while sipping wine and eating warm bread is the main problem you have at the moment, then life is much improved since 1600.

2. La Carbonara  – Piazza Campo dei Fiori,23 .- 06 6864783

You will be lining up often with international movie stars and politicians to get a seat but it is not a pretentious or expensive place, just a Roman institution.  At the other end of the piazza from Antica Hostaria Romanesca, it is thankfully much larger indoors so you can eat either on the piazza or inside with air conditioning / heating. It produces very traditional, high quality Roman dishes. The Fiori di Zucca/fried zucchini flowers (featured below along with the lamb chops and potatoes, and Carbonara in the background), Saltimbocca alla Romana (veal with proscuitto and sage) are the best I have ever tasted and the Carbonara is on a par with Antica Hostaria Romanesca.  Again you will have the Campo dei Fiori piazza to look out upon and will be entertained by a parade of non-stop buskers.

3. Da Luigi – Piazza Sforza Cesarini 23 (between Campo dei Fiori and Piazza Navona), 06 6865 946

I stumbled on this place when I used to live around the corner and noticed it was always full with lines of people waiting. Da Luigi is packed full with Roman families who like to keep this place a secret.  It is squashed along the side of a tiny piazza for outdoor seating but there is also extensive seating indoors in a variety of wood panelled rooms.  Here you will find reasonably priced, down-to-earth Roman dishes specialising in sea food but also pizzas and meat dishes.  It is noisy and always crowded and there is nothing to look at, but the variety and good reliable quality of the food makes up for it. Try the fried artichokes.

4.  Ai Spaghettari – P.za di San Cosimato, Trastevere 57-58-59-60

A beautiful, succulent and rich experience of a typical, restaurant, that has nevertheless been around for half a century or more.   It is based in the most traditional part of Rome, Trastevere, a mostly pedestrian only precinct, which is now packed with restaurants and is an enchanting neighborhood to eat in.  Ai Spaghettari is always noisy, has the television blaring, and is always full.  A pizza oven greets you at the door and you can watch while your pizza is made, being flung up in the air and all. There are vast amounts of seating outside and in, and service and menu are both good, featuring lots of traditional Roman specials.  If you don’t book you may be waiting a while but you will get a seat eventually. (no GF pasta or pizza)

5.  Pizzeria Popi Popi – Via delle Fratte di Trastevere 45, 06-589-5167

I avoided going to this restaurant for years as it looks like the typical tourist trap often found in Trastevere.  Red checkered table cloths, tables set outside in front of a beautiful, white marble church, and filled with tourists.  Then my Italian husband and his mates took me there.  Now we know the waiters by name.  Frequented by both Italians and tourists alike, its cheap and cheerful outdoor atmosphere make it a superb summer Roman dinning experience (and indoors for Winter).  They have a large and traditional menu (including pizza) and the food always tastes surprisingly good for its quick production, volumes turned-over, and large variety.  Their Tiramisu is one of the main  reasons we keep going back.  By the way, once I asked the waiter what the significance of the name was.  He told me its the sound that Italian men make when they squeeze the breast of a woman “popi, popi”.   Booking is optional but recommended, but if you just turn up the waiters will look after you. (no. GF pasta or pizza)

6. Ciak – Vicolo de’ Cinque, 21 ,Trastevere 06 5894774

Carnivores unite! (You can probably tell by now that I am not a vegetarian but all of these restaurants have great vegetable dishes and vegetarian options on offer too, although probably best to avoid this one if you are a vegetarian). The window is packed with hanging dead animals of the kind not often seen – boar, pheasant, deer and hare.  Deep rich, red salamis of wild boar, pastas with venison ragu, stews of hare, Fred Flintstone steaks of beef, pork and veal are all on the menu here and nothing much else.  If meat is what you are after you will get any kind your heart desires (including heart…..).  It feels like you are eating in a Tuscan agroturismo with bare brick walls, lively noise and Chianti bottles everywhere.  The huge open grill is at the front and you can go and choose your type and cut of meat before cooking.  Best to book as it tends to be a restaurant that people go to specifically for this kind of food. (no GF pasta)

7.  Spaghetteria L’ Archetto – Via dell’Archetto, 26, Trevi Fountain 06 678 9064

This is the Frat Boy version of these top ten restaurants in that it has foregone all the add-ons of Italian cuisine and just focuses on the pasta.  Exactly 100 different pasta dishes can be ordered here and not much else.  But why would you bother coming here for anything else, their pasta dishes are fantastic?  Originally another restaurant I stayed away from as it seemed too gimicky, but I was dragged again along by my husband and his mates who had all eaten here for years.  Once I tasted my Fiume di Londra (London Fog) pasta dish I understood that no short cuts had been taken in delivering high quality, mouth watering food. This is a great place to go when you are sick of the same menus in all the other more traditional restaurants of Rome, although here you can get the traditional plates as well of course.  Try also the Pasta al Limone and the Penne alla Vodka a traditional dish that many restaurants disdain to put on their menus but is delicious and won’t make you drunk (although perhaps best not served to children).  Their vegetable dishes and Tiramisu are pretty good too.  Outside seating is on the cobblestoned street so cars will pass at your elbow.  Inside there is plenty of space available although it is like a warren, all underground, and airless at times.  If you book try to sit outside or ask for a table close to the entrance. 

8. Taverna Agape – Piazzetta di, Vicolo di S. Simeone, 26, (near Piazza Navona) 066879694

If you are looking for a romantic night out then this Roman institution is perfect. It offers everything except pizza and looks out onto a quiet medieval piazza complete with its own fountain. Try the pasta Cacio e Pepe (traditional Roman sheeps cheese and fresh black pepper) pasta.

9. Osteria dei Cappellari, Via dei Cappellari, 66, (near Campo dei Fiori) 069436 6598

A beautifully decorated, traditional osteria with relaxing ambience and excellent, seasonal food, everything except pizza. Its small and intimate, crowded with candles, mirrors, hats (cappelli) and a piano, on a cobblestoned medieval pedestrian street where once hat makers had their trade. Dishes are highly seasonal, portions are generous and desserts unmissable. Try any of the types of beef steak (filetto di manzo) here, especially if its with Porcini mushrooms. No seating outdoors but why do you need it when it looks so good inside?

10. Il Marchese, Via di Ripetta, 162 (near Piazza del popolo) 0690218872

Last but not least for an excellent cocktail and/or traditional roman food with a twist, in a place that feels ancient and new, elegant and informal all at the same time…………Try the steak tartare and the house cocktails.

If you enjoyed this blog you may enjoy reading my books. Click here https://brontejackson.wordpress.com/books/

Advertisement

September summer

Rome is caramel coloured in September. The light is muted, tired almost from the constant brilliance of June, July, and August. Everything is bathed in a soft tone, reflecting the cream stone that makes up most of the city, and creating a warm dulce leche glow. 

• 

• 

• 

• 

• 

It is sweeter than the harsh hotness of the light in August, palpable in its heaviness. Or the fierceness of July, relentlessly heating the city up. And sweeter too than the brightness of June, when nights never seem to fall. 

September is shorts and T-shirt weather, muggy even, but the fight has gone out of it. You can feel summer relinquishing its grip, succumbing to the darkness that encroaches each day. The fresh mornings tempt you to wear long sleeves or trousers. At your own peril because by 10.00am you will be rueing that decision. And although evenings come quicker, they don’t come with much coolness. 

September is also still.  Like summer is in a game of ‘play dead’, hoping that autumn won’t notice it has overstayed. At night not a leaf or speck of dust moves.

• 

• 

• 

• 

• 

During the day a powder blue sky accentuates the city’s domes and skyline of medieval towers. Trees in full green bloom line the slow flowing river.  Soft beige light illuminates and smooths every curve of marble and groove of column. There is no where to hide from it and no need to.  It is benign, tranquil.  Just enough to show it off to its best, but not so much that you need to manage it. It allows its twisty streets to claim you, show you hidden delights too small to be included in guidebooks but unique in their ability to transfer an experience of Roman life.

September summer means not having to stop for siesta unless you want to, as your brains won’t fry in the sun at 3.00pm. It means not having to drink a Trevi fountain sized amount of water, and then find a public toilet (good luck with that). In September Rome is a languid city, content from having had its piazzas and parks used to their fullest for concerts, operas, marching bands, open air theatre, cinema, and book fairs. The end of summer Rome knows it’s a full-blown beauty and looks it.

As the golden month ends something must be done to celebrate it – to say thank you for the long and glorious summer and to toast the ‘any day now’ appearance of Autumn. All rituals in Rome revolve around food and wine so that must form the basis of this one. In September there is great competition between the late season white and yellow peaches and the new season plums and the purple grapes that are as big as my eyeballs. Wild mushrooms appear, always caked with dirt, along with crisp cabbage, onions, and fresh garlic.  Its all another sign, that no matter how long summer pretends to hang on like it owns the joint, the earth is turning away from it, into the long dark night of autumn.

• 

• 

• 

• 

• 

It must be Autumn’s bounty that we use to herald it in, say thank you to summer and let it know that it can release its hold and allow us all to be cosy, dark, and fallow for a while. Deep red wine from the fields of Sicily where the soil knows what old and dark tastes like, and Rome’s indigenous grape variety, Cesanese, make up our choices. The Syrah (Shiraz) from Sicily tastes like Autumn itself, spicy and berry like, while the Cesanese tastes like an alcoholic Ribena shot through with dark chocolate. Sharp cheese and salami go with them. I rejoice in the re-entry of this food into my diet as the cooler temperatures allow the flavours and consistency to be enjoyed in a way that in the height of summer they aren’t.

A table of mums next to us raise their glasses ‘to Autumn’, and I realise we are not the only ones that do this.  As I gaze down at my sun-tanned legs still in linen shorts it’s hard to believe that by December they will be encased in woollen trousers and long boots topped with a cashmere coat.  Each winter I do the reverse and find it hard to imagine that my legs will be bare. And yet it happens, every year, bringing with it the comfort that some things never change. For now, I am enjoying the present, Rome bathed in a subtle, sweet caramel light that will gently descend into Autumn.

If you enjoyed this blog you may enjoy reading my books. Click on the ‘books’ page at the top of this post.

Rome unlocking

“Now we can start living again” is the phrase I most hear around my neighbourhood.  Its mostly from the elderly, those over 70, of which Italy has one of the highest population levels globally.  My suburb is representative, many of the inhabitants are over that age, and in the range that has been most impacted by COVID.

The vaccines are here and being handed out with military precision and effectiveness as always happens when things get handed over for the army to do.  The infection and death rates are plummeting and soon this all will be a memory. I am glad we have faced it head on, dealing with and learning from the consequences, adapting, and adjusting rather than trying to avoid it, pretending it’s not there, or hoping that it will just go away. The changes we made as a population and as a nation helped us survive and will continue to, as changes always do.  There is a lot to be said for having weathered a storm.   

When in March 2020 we were sent home from work for two weeks, with schools, restaurants, gyms, shops all closed, no one imagined that we would still be in some form of lockdown more than one year later.  March 2021 was a hard month for everyone.  In March 2020 no one imagined that instead of two weeks it would be more than two months before we were allowed outside again without a certified signed document stating the 3 reasons you could leave your apartment (buying food locally, visiting the doctor or on a walk by yourself in your own neighbourhood for mental or physical health reasons), or risk being fined up to 800 Euro. No one imagined that over one year later it would still be mandatory to always wear masks inside and outside, or that some form of lockdown would continue indefinitely with strict lockdown occurring again at Christmas, New Year, Easter and for weeks at a time either side. 

I like many others have never returned to the workplace. No one imagined that after a brief hiatus last summer, all gyms, theatres, schools, and businesses would again be closed until the beginning of the next summer, or that when restaurants, bars and cafes were closed at 6pm and a curfew installed at the beginning of last autumn, that it would be spring before we could go out and eat at night again.  And no one imagined that there would be second birthdays or anniversaries of things in lockdown.  The challenge of adapting the celebration to the new restrictions and the fun of inventing new ways to do things is gone the second time around. All the energy to recreate new traditions and the fight to make the best of it has gone.  Used up in the more than a year of daily energy required to be resilient in the face of a never-ending threat and combatting an ever-present level of anxiety that we all feel, an undercurrent to everything we do, making any other stressful events even more so. After a year of this we are all slightly stupefied and lethargic, it’s as close to a zombie nation as I hope to ever live in.

There is a listlessness that comes after over a year of lockdown and restrictions.  We have all been champions at working and schooling from home converting an entire nation almost overnight to digital. We work, study, socialise, exercise, play, relax, celebrate, eat, shop, have medical appointments all through the screen of our computers, and always in the same 20 square metres. Italians like many nations live in relatively small and mostly shared spaces where there is only one space for the family to relax during their leisure time.  This space is also the workspace, the study space, and the exercise space.  Yoga mats replace roll away desks, and ironing boards in front of sofas become ballet barres after hours.  Balconies, if you have one become the place where you can shout out or down to friends and neighbours in the street, and many an abandoned rooftop got dusted off and decorated with socially distanced deck chairs and tables over the past year.

We haven’t been able to hug or kiss or touch each other for over a year, a culture that kiss each other several times a day, amongst friends and family.  Recently a friend gave me a clandestine hug when she came to visit me while I was mourning the death of a family member (not from COVID).  It was like an electric shock.  The feel of someone’s arms around me stunned me out of my grief for a few minutes and then made feel incredibly sad that we had all missed out on this most basic of human kindnesses in a time when we all most needed it.  Eating together as families and friends outside in the public places that replace most people’s living rooms, sharing a table, sitting long into the night together, the tinkling of glasses in the moonlight, or the odour of fresh seafood in the sunlight, the energy we all get from each other, from changing our environments, from the wind that whips up the edges of table clothes, from the sounds of music coming from other classrooms in the gym or dance school, the stimulation of peers and colleagues, the snatches of different languages, going for a walk in the countryside, being in nature, leaving the province to go on holiday or visit family, the feeling of being challenged physically, the feeling of advancement over compensation, of thriving rather than surviving, of gain over loss, these are all the things that have been sacrificed in this long, hard, more than a years battle.  They are integral to the experience of life here and without them life has changed considerably.

It has made us all more appreciative of small things, tolerant, and thankful for the battle we have fought and (mostly) won together. With great suffering comes great joy.  I don’t know whether the suffering always has to equal the joy, but I would never have imagined I would have the amount of joy I am experiencing right now at the announcement that my ballet school will now be open in a week, or at how much the joy is intensified by sharing it with the 10 others that I have struggled through 9 months of pretty hopeless and very frustrating ballet lessons via zoom! Due to bandwidth issues we all heard the music at different times so we could never co-ordinate our movements, and those of us (i.e. me) used to copying the person in front them, could no longer do so. For the teacher to be able to see my whole body the screen had to be so far away that I needed my glasses on to see anyone else, and for the same reason I have become very familiar with everyone’s crotches as we neared the screens each time the teacher needed to demo something. Let’s not even mention trying to do pirouettes in the space usually taken up by a desk.  Or about how my barre, which is really the back of my office chair, keeps wheeling itself away during pliés so I am left holding on to thin air and post-menopausal muscle density. Small suffering, maybe, big joy at its ending, definitely.

So maybe the joy is always greater, and, in that case, we are all in for a big load of it. Not the least of which is that we will soon be free to leave the country and wander this wonderful earth again, as well as welcome visitors to this wonderful piece of it. Flights full of vaccinated, quarantine exempt citizens from the UK and US are speeding towards us this very minute.

When I hear the phrase “now we can begin living life again”, I know exactly what it means, and I sincerely look forward to it.

Book launch by zoom? Ticket for One book launch in Rome

Have you ever attended a book launch via zoom? Watch the Ticket for One book launch, Rome in the comfort of your own home or relive the experience if you were there!

Ticket for One book launch via zoom – Rome, Italy

Ticket for One was launched in Rome (where the author is based) and then in Melbourne, Australia both via zoom. If you would like to see the Australian book launch, and the slideshow that went with it please click here.

https://brontejackson.com/2020/12/28/missed-the-australian-book-launch-of-ticket-for-one/

• 

• 

• 

Thanks a million to all who attended both launches and have supported me in this book. Please keep spreading the word in your networks and leaving me reviews on Amazon or Goodreads. Word of mouth and reviews are the best way to publicise a book. Both books are available in paperback and e-book from Amazon, Beaumaris Books, Melbourne, FAO Book shop and Otherwise bookshop, Rome.

Ticket for One reached no. 16 on the Amazon global best sellers list for Italian travel but is not only about Italy. Here’s what Amazon reviewers are saying:

“A great adventure showing how chance encounters can change your life forever. If you are brave enough to take the first step.” UK Amazon reviewer 

“Bronté Jackson is a gifted storyteller with a talent for evoking the colours and sensations of the places she visits”. Italian Amazon reviewer

“A beautifully descriptive and emotional account of backpacking adventures in far away places while reconsidering the direction of one’s life”. Australian Amazon reviewer

If you would like to preview either of my books please click on the links below.

Missed the Australian book launch of Ticket for One?

Or just want to watch it/experience it again? No problems. Click on the below.

Ticket for One book launch via zoom – Australia

It starts about five minutes into the introduction of my book, Ticket for One. We then dive into a Q & A about why I wrote the book, how I handled the tricky themes of vulnerability and bravery, as well as the struggle about keeping the ‘voice’ of the young woman I was when I took the journey. There are a couple of readings from the book, which while not giving anything away, give a flavour of what there is to enjoy about the book. And then we launch it! The whole thing takes about 45 minutes so sit down with a glass of wine and a Greek salad, some Turkish mezze or Italian antipasto and enjoy the show!

If you would like to listen to a podcast of the book launch rather than watch it, just click here.

Ticket for One has now reached no. 16 on the Amazon global best sellers list for Italian travel but is not only about Italy. Here’s what Amazon reviewers are saying:

“A great read of an adventurous young women as she finds her place in the world”. UK reviewer

“Bronté Jackson is a gifted storyteller with a talent for evoking the colours and sensations of the places she visits”. Italian reviewer

“A beautifully descriptive and emotional account of backpacking adventures in far away places while reconsidering the direction of one’s life”. Australian reviewer

I say the book is about three things:

1. How you can be on the brink of things, with everything falling apart around you, and come back from that to a whole new version of yourself.
2. Travel. The wonder, the hardship, the joy of travel; travel as a journey to learn about yourself and others, getting the widest possible input into your world view, understanding ‘the other’, realizing that we are all much more like each other than we are not; friendship, those made on and off the road, and sustained.
3. The beauty of the Mediterranean. The power of that beauty to heal and restore, to reach right down into your soul and find you, the power of history, of past civilisations and their human experiences that teach and help us in our struggles today.

And apparently you will laugh a lot, and need to eat Greek, Turkish and/or Italian food!

• 

• 

Thirty eight people zoomed in from Brisbane, Sydney, Melbourne, NSW Central coast, north coast of Victoria, and Rome to attend the Australian based launch. You will not be able to see all the participants as the recording done on zoom only catches the first screen of people. You will also not be able to see the slideshow so I have inserted it below. You will have to play the soundtrack yourselves of the songs that went with it and captured the moment and moods of summer 1993………..

(Madonna, Like a Prayer; REM, Loosing my religion; Pet shop boys, Its a sin, Go West; Black, It’s a wonderful life; D:Ream, Things can only get better; U2, In the name of love)

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

The northern hemisphere book launch will be posted soon, along with a podcast of this one. Thanks a million to all who attended both launches and have supported me in this book. Please keep spreading the word in your networks and leaving me reviews on Amazon or Goodreads. Word of mouth and reviews are the best way to publicise a book. Both books are available in paperback and e-book from Amazon, Beaumaris Books, Melbourne, FAO bookshop and Otherwise bookshop, Rome.

Amazon.com: Ticket for one: One woman’s transformative, inspirational and humorous trek through Greece, Turkey and Italy eBook: Jackson, Bronté Dee: Kindle Store

https://www.amazon.com/Roman-Daze-Dolce-Seasons-English-ebook/dp/B07N2FB9CL

 

Rome recovered!

At last we are let out and into the city we go!  I have never met a Roman who was not in love with their city – who did not appreciate its history along with its almost 1,000 year reign, world domination; and subsequent contribution to law, philosophy, government, military strategy, engineering, architecture, literature, painting, sculpture, religion, sanitation, town planning, heating, food, holidays and hydrology.

It’s the first Sunday since quarantine was lifted and after 2.5 months of eerie silence the streets and piazzas of Rome are packed.  Chock full of Romans. There is not a tourist or an English speaker in sight or earshot. I feel like I am in a time capsule that has landed me back in the early 1990’s when I first arrived in Rome. Before the invention of cheap flights and millions more tourists at all times of the year. Prior to this, Romans had always had the city to themselves from October to March, and during those months, people stared at me as though I had forgotten to go home. At that time by mid-December you could sit by yourself in the Sistine Chapel and write a novel, and by February most of the city shut down for a good long rest until Easter. In comparison, for the past decade, and before quarantine (BQ), no one has been allowed to even stand in the Sistine chapel for longer than a few minutes without being hurried along to make room for others waiting to come in.  You stood shoulder to shoulder admiring as much of the ceiling as possible while shuffling along in a sea of humanity, towards the exit.

Sunday night has always been a big social night for Romans.  Far from it being the night in which to stay in and prepare for the work week ahead, it is seen as the last opportunity to milk the weekend. It’s also the time to catch up with friends after having spent the whole day with extended family. Italy has the second highest amount of elderly citizens globally therefore most people have parents or are one. So the streets and bars are packed as my husband and I saunter lazily through them.  Imagining that we would be a lot more alone than we are, I am surprised but also delighted.

It’s busy and full but not crowded and bursting.  There is space.  Space between the gatherings of people, empty medieval corridors where  chairs and tables are being set up for dinner, ivy covered spaces empty of people because it’s not yet the Roman dinning hour. A city being used by, and for, its residents alone.

The tables in the bar next to me are filled with octogenarians drinking Aperol spritz, mostly women, and groups of couples with prams and newborns. In the piazza in front of me, instead of a keyboard and badly played Dire Straits covers, there is a vigorous game of soccer being played between six under twelves, who keep it going amidst the walkers, and use all four corners of this huge space.  Instead of flower sellers and photographers coming to our table there is a determined gang of five year olds on scooters, using the 1.5 metre quarantine space between tables as lanes, and being constantly shooed away by the waitress.  Instead of coloured plastic toys that make a noise when thrown into the air by their hopeful vendors, the shouts and screams of five girls playing hide and seek can be heard.  And as the twilight lengthens, instead of a gaggle of uncomfortable looking foreigners wearing the same T-shirt, drinking beers and self-consciously stumbling across the piazza, a serene flock of Romans cruise gracefully past on a bike tour.

Just after sunset everyone leaves, aperitivi is finished, and it’s time to go home and eat dinner.  The piazza is quiet, empty and darkens a little just as the breeze that always occurs at sunset blows over it.  For a few minutes in the silence the piazza is bleak and windswept, reminding me of another of its original uses – a place of execution.  The imposing statue of the last person burnt at the stake on this spot, looms out of the darkness, his hooded figure menacing and joyless. But just as quickly the piazza starts to fill up again as families who have decided to come out for dinner do so; like the appointed hour for aperitivo, dinner is similarly scheduled. Freshly washed children prance around with their parents as groups of friends meet and sit down to dine.

My husband and I have been coming to this restaurant for twenty five years – many of our early dates were here.  It’s been two decades since I have seen groups of Roman families here.  It’s mostly couples and always tourists.  The proprietor’s Nonna still makes the fettucine daily, sometimes just inside the front door if you come for lunch.  They bake their own bread and he is the fourth generation that has run the restaurant.  We are his first customers after quarantine and if we could, we would hug vigorously.  Instead we talk loudly and at length about all that has passed in the last few months.

‘The day after we had to shut down, I came to the piazza anyway’, he says. ‘I had come here every day for the past thirty years to work, it just seemed natural.  When I saw the piazza empty and everything shut, I felt my heart break, it was too difficult and I stayed away after that.’

After such a long time I expected things to be a bit rusty, but it was as though 2.5 months of pent up longing went into my meal.  The antipasto of burrata cheese with char-grilled slices of zucchini and eggplant put me in my happy place for more than 24 hours.  The lamb was juicy and tender, the wine cool and fruity, and the roast potatoes sprinkled with sheep’s cheese and pepper, induced an eating episode that was more like an inhalation of all that I had missed and loved about this place.  I sailed home as the last twilight faded, wishing that everyone in the world could come here and have this – just a few people at a time though.

If you liked this story read more in my book Roman Daze – La dolce vita for all seasons at https://brontejackson.com/prosecco-fixes-everything-stories-of-life-in-rome/

And soon to be published……..Ticket for One. One woman’s transformative, inspirational and humorous trek through Greece, Turkey and Italy.

Sometimes you have to let go of everything to find what you really want.

My favourite activity of the week

The market is a two minute walk from my apartment but is unrecognisable unless you already know what it is.  For six months I walked past the shabby collection of closed up boxes wondering what they were.  Each only slightly bigger than a skip bin, they were sometimes outnumbered by them. But one day I happened across them in the morning and now shopping at my local market is my favourite activity of the week.  Whatever befalls me during the week I know I have the market to look forward to.  I wake each Saturday morning excited and happy, looking forward to the experience that I know won’t disappoint me and will be over too soon.

I am standing at the edge of Aldo’s fruit and vegetable counter hemmed in on both sides and at my back with people.  Aldo keeps up a non-stop chant, tallying up the prices of the fruit and vegetables as he weighs them while customers impatiently crowd around thrusting their bags full of produce towards him.  Hands push out from behind me at the level of my hips, towards the apricots and peaches that are stacked up in front of me, as customers continue to shop while others wait in a non-existent line based on the time they first put their bags down on top of the fruit and stopped filling them.  Every time Aldo finishes serving a customer he tells the remaining ones which of them are next, up to the last person waiting.  No one ever argues and he never gets it wrong.

All women are referred to as beautiful “bella” and young “giovanne” by Aldo who is well into his 70’s and has regular heart valve surgery.  The older you are the younger his description of you is. I am referred to as a beautiful girl “bella ragazza”. I am 55. White haired women bent over double are referred to as beautiful little girls “belle ragazzine” while young women are called “belle donne”, beautiful women.

“Hey don’t forget about me”, shouts out a man.

Only people who are new to Aldo’s stall ever say this.  The rest of us know that he knows exactly who has been waiting and for how long, and we patiently or impatiently wait our turns.

“Throw me a bag Aldo”, someone shouts and another hand is thrust out from between the bodies to receive it.

“Are these the only type of apricots you have?”

“Yes they are”, he answers, “they are from my orchard, taste one I promise you won’t be disappointed.”

“Do you have any prepared salad left?  Yes we do, Marie, get that young man a bag of salad.”

Along with answering and organising he is still weighing goods and verbally tallying them up.

The stall is open on all sides and shaded with a low canvas that covers the array of tables topped with produce.  It traps the sound in.  It is very hot and I have been standing here at least ten minutes waiting for my goods to be tallied.  But I am not in a rush.  I let others fill their bags full of apricots from the mound in front of me not fearful of losing my place under the eagle eye of Aldo and actually hoping it will take as long as possible.  Because under this cacophonous, fragrant tent stacked with figs, overflowing with cherries, nuts and lemons, decorated with eggs, honey, mozzarella and lettuce, swimming in tomatoes and zucchini and pegged down with watermelon, eggplant and cabbage, I can feel my aura being gently cleansed.

My shoulders relax and start to ease themselves down from around my ears, my spine straightens and I can feel my feet firmly on the earth for the first time since the beginning of the week.  I take root amidst the vegetables and fruit and come back to fully inhabit my body again feeling each part of me gingerly integrating and coming into the present.  I watch an old man bend over peppers and inspect each one before putting it into a paper bag. I see a youngish man next to me enthusiastically filling a bag with small deformed apples and ask him in Italian what they taste like.  I exchange a smile with a woman next to me and ask how she intends to cook her cabbage (because I don’t know how to even though I love cabbage).  I join in a general conversation and answer another man who is wondering what beetroot is and what you might eat it with.  The cares and worries of the week cascade off me, puddle in a pool at my feet, and gradually melt away into the earth.

Too soon it is my turn to be served.

“It’s this beautiful girls turn now”, Aldo announces to everyone as he drags my bags over the mounds in between us, and starts to weigh and tally out loud.  It’s like listening to a race commentator.

“We have four zucchinis, some peppers and an eggplant.  What’s in this bag now?  Oh so we have also a bag of       salad and some tomatoes along with the zucchinis, peppers and eggplant and now I can see a fennel.  What do we have in this other bag?  Oh some apricots, peaches, figs and a quarter of a watermelon.  Now we still have the zucchinis, peppers, eggplant, salad and tomatoes along with the fennel, and we are now adding the apricots, peaches, figs and watermelon.”

 

No matter what I buy it’s always the same price, twelve euros. He throws the money into the red plastic bucket he uses as a cash register. Sometimes he doesn’t even add on half the vegetables in my bags.  I try and hand him more than the twelve euros and he responds by putting another few peaches into my bag and then stacking it full of lemons, thrusting the bags back at me and turning to the next customer before I can protest.

“You can’t pay whatever you want you know”, he admonishes me.

“Well you charge me whatever you want”, I counter.

“It’s my store”, he responds, laughing.

My husband takes the heavy load of fruit and vegetables from Aldo’s garden and we move away together, me slightly sad as it will be another week before I get to stand in the aura cleansing tent again.

“What do we need next?” my husband always asks.

I don’t know.  All week my days are about ‘to-do’ lists.  Some weeks, each day is divided into half-hour slots of time where I have to produce, do, or attend something for every slot.  So when I am not at work I don’t have lists.  I buy whatever takes my fancy and I follow my intuition.

The fish lady knows this.

“What about these salmon and “orata” fish burgers that I have just prepared, or the fresh anchovies marinated in vinegar and celery? Or how about this blue fish “pesce azzuro”,  that I have just finished frying with red onion for lunch?”

The first time I tasted the salmon, I rushed back the next week and demanded to know why it tasted so different to any other salmon I had ever eaten.

“I know”, she said, winking at me and pushing her blond curls off her face with the back of her plastic gloved hand while holding a long thin knife that never seemed to leave her palm.

“It’s from a special farm in Norway where they raise the salmon to be relaxed.  They play music to them. That way they develop a lot of fat just under their skin.”

Each time I am cooking the salmon I watch the layer of fat between the skin and pink flesh melt and spit, flavouring everything.  Today she hands me the package of salmon that her father has already prepared in anticipation for us.  It has ‘Australia’ written in black biro on the paper that the fish is wrapped in.  Like Aldo she wishes me a good Sunday and tells me she will see me next week.

Unlike the fishmonger, the butcher and I regularly need to brainstorm together before any purchases can be made.

“What kind of meat would you like?”

“Lamb.”

“How would you like to cook it signora?  Baked, grilled, casseroled, with or without potatoes (my favourite so if you were wanting to invite me over that’s what I would like you to cook), vegetables, or with a little wine and olives?”

 

 

 

 

 

 

 

 

Together we come up with something and he grabs the relevant animal and prepares the cut.  He doesn’t wear gloves and cuts with a blade that could double as a paddle, some pieces are so thin you can see through them.

He is the head of the market and in charge of its comings and goings so he updates me on anything relevant and then asks what season it is in Australia, what temperature it is and how many hours flight it is again?

I linger at the grocer’s counter eyeing the array of fresh mini ricottas made from sheep or cow’s milk, some of them baked and standing up in little plastic sieves, some oozing and gooey like white butter starting to melt.  My eyes gaze upwards to the pink rounds of prosciutto, salamis and hams that would go magnificently with any of them, each one with their own salty, fatty, chewy taste.  Today I spot my favourite cheese, a camenbert made with buffalo’s milk, so subtle and yet so delicious it takes control of you and makes you finish the entire round in one sitting.  Everyone I introduce this cheese to has the same experience, and in a nation of experienced cheese tasters I am delighted to be able to offer something different and new.  It goes a long way to building up my credibility as a  resident of Italy, and being worthy of my visa.

But too soon it is over.  There is nothing left to buy unless I want a cotton handkerchief, a velvet dressing gown, or bleach, all housewife staples which are on offer and which I wish I needed, if only  to keep me looking at the market for longer.  But my husband knows we have mortadella in one of the bags and is inching me towards the exit.  And we have to stop at the flower seller on the way out.

Each week it is the same.  I moon over the herbs and flowers knowing full well we have no balcony and that all three of our window boxes are full to overflowing and threatening to take down one side of the building if I fit one more pot in there.  So I settle for blooms that cost less than one day’s worth of public transport and thank the vendor as he adds a few more in for free.

There really is nothing more to do except go home, enjoy the produce and look forward to the next market shop, one full week away.

La mia Garbatella

Everyone loves their own suburb. And I do love mine.  But then Garbatella is not like any other suburb in Rome, or anywhere else.

Nestled in a quiet corner between major arterial roads leading south out of Rome, and only ten minutes drive from the center of Rome, it boasts quiet communal gardens, hidden staircases in place of roads, decorative archways, green oases and tranquil piazzas.  Walking along pedestrian only paths that climb hills and meander along parks, watching women hang out laundry on communal lines while men sit smoking in shady corners and children run up and down, it feels more like the center of the many quiet little towns found in the countryside near Rome.

After having lived in the adjoining suburb, built only forty years later, where (in my apartment that was on a lean and eventually fell down), the rubbish truck woke me at 1.00 am each night with its flashing lights and loud mechanical grinding, and where at 7.00 am each morning, as the walls were so thin, the neighbors alarm clock woke me in time for work; and having lived in the very center of Rome in a medieval apartment block whose bathroom roof caved in one night and where I could go for a week without ever seeing a living plant; I stumbled on this green suburb full of well built houses by accident in 1998 (as the only suburb I could afford which was close to the city center), and wondered how it was possible that such a jewel could exist.

Slowly I found out, although some of the facts are a bit hazy and like all good creation stories several versions exist of the same event.  In the 1920’s someone, let’s say Mussolini, decided to build a suburb outside of Rome in the countryside to house in particular, the poor.  It could have been a social experiment, one that was popular at the time as cities all over the world were planning how to effectively house more people.  Gandhi came on a visit here, dressed in his white robe, to see an example of what could be offered to ensure that even the poorest could be housed effectively.  This event at least is fact as there is a picture of it on a sign post in my suburb.

Or it could have been that as the Vatican and the Italian government had made a truce to peacefully co-exist as separate states, and in thanks to the Vatican for a sizable donation, the Italian government decided to clear the slums that bordered around and obscured the Vatican, building in their place a huge driveway and stately road leading up to the Vatican (called appropriately Conciliation Street) and necessitating the removal and re-housing of thousands of city slum dwellers.  There are several other versions but they all involve re-housing city slum dwellers into low-rise blocks, built to look like the mid 1800 apartment blocks they were used to, but placed within communal gardens, a unique setting in Italy.  Due to the fact that the new suburb was miles away from where these families had always lived, it was built complete with kindergartens, primary and secondary schools, restaurants, hotels, a public bath house, theater, playgrounds, fountains and piazzas.  As though it had always been there.

 

 

 

 

 

 

 

 

When you build a suburb from the beginning you have many advantages.  Like what it will look like and what goes where.  In addition you have the opportunity to use the buildings and the spaces to foster the behaviors you desire and to create community.  Especially necessary when thousands of people are uprooted and plonked down miles away in an alien environment.  So architectural competitions were held to create all the public buildings (theater, baths, hotels), resulting in all the best architects of the time contributing to the new suburb.  Public spaces were created within each city block so that apartment blocks faced onto private yet communal gardens, walk ways, washing lines and other places to gather, just like the small pedestrian streets and spaces that had previously defined their inner city neighborhoods. Curving streets, round piazzas and even rounded and curved buildings created spaces that felt organic rather than planned.  The use of staircases to connect streets or instead of them, created spaces for pedestrians to travel and move around the suburb never meeting any traffic, much like a small country village.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Garbatella has moved through many phases as the city of Rome grew up and around it, engulfing the fields that once surrounded it. From being shamed as a modern-day slum unwelcome to outsiders (but with very cheap rentals to foreigners who didn’t know about that), to a center for cutting edge arts and radical politics, full of some of the best traditional Roman restaurants and trendy new wine bars.  It is still a place where most people who live here also work in the suburb, where many generations of the same family live and where people if they are not related at least know of each other and who they belong to. (I once walked into a cafe and was asked “who did I belong to?” before i was asked for my order).

It is a place where Roman dialect rather than Italian is the main language and where you can sit down to lunch and know that every thing on your table has been grown, butchered or made by the local person you bought it from.  It is a place where you can wander on a quiet sunlit afternoon through lovingly tended gardens, sit on benches under trees and hear only a fountain bubbling, and get lost rambling along tree-lined paths under arches and up staircases around a whole suburb without ever crossing a street.  So I do love my suburb.  La mia Garbatella!

 

 

 

 

 

 

 

 

 

 

 

 

If you would like to read more about La bella Garbatella you can do so in my book Roman Daze – La Dolce Vita for all Seasons.

https://www.amazon.com/Roman-Daze-Bronte-Dee-Jackson/dp/192212933X

Italian Four Seasons

Hi everyone, Spring is in the air, so I thought i would share my latest column from ‘Segmento’  – the Italian/Australian magazine that seeks to be a link between modern Italian culture and the rich history that Italian migrants have preserved where ever they have migrated.

Roman Daze – La Dolce Vita for all Seasons

Hi all,

In celebration of it being the 70th Anniversary of the Republic of Italy (and who really needs a reason to celebrate all things Italian), I wanted to take the opportunity to remind you of, or introduce you to, my book Roman Daze – La Dolce Vita for all Seasons.  Please see below for a synopsis and sneek preview.  This book can be purchased through Amazon worldwide (in hard copy of as an e-book), from the FAO and Lion Bookshops in Rome, or in any Australian bookshop.  Links are provided below.  Happy reading!

Synopsis

This is a book about Italy, Rome and me.

It is not a book about falling in love and marrying an Italian, running a B&B, or restoring a farmhouse.

I arrived in Italy on a whim as a result of having won an airline ticket in a raffle. The city of Rome captivated my heart and I decided to stay awhile.  It was the year before Berlusconi came to power.  Seventeen years later we were both still there.  Much to everybody’s amazement, particularly our own (although I can’t strictly speak for Berlusconi).

Rome and Italy are places of extreme contrasts.  The Italian political system, its Universities, banks, and industries are in disarray.  Italy has always seemed to be on the verge of crumbling according to many economic indicators.  And yet somehow life continues on a daily basis in much the same way it has for hundreds of years.   The breath taking countryside, stunning islands and beaches, non- stop blue skies, excellent food and wine, art collections, fashion, family, tightly knit neighbourhoods, rituals and traditions, and the beauty of the cities make it hard to be gloomy or to reconcile the failure of so many of its institutions.  It is easier to have an excellent coffee, stop and chat awhile with your neighbour.

This is a book about how seasons, food, family, architecture, nature, traditions, and weather all come together to create the lifestyle of Italians much more so than their economic well being, and why it looks like La Dolce Vita to most of us.   It also debunks some myths of La Dolce Vita and shows the not so attractive side of being Roman/Italian that tourists don’t get to see.

The book is divided into four sections – Spring, Summer, Autumn, Winter.  It describes the city of Rome, its inhabitants and lifestyle for each season and time of year – the food, rituals, events, practices and behaviour that go with each season and why.  This is a fundamental key to the differences between an Anglo-Saxon culture based on economic rationalism and one which is dictated by the weather/natural environment and by human relationships.  And it is a difference that has far reaching effects in all aspects of Italian society, economics and attitude.

The book also follows my movements as I participate in each season’s rituals and practices, some of which are easy, some not, some I still find bizarre and some I revel in.   It highlights several key relationships I have with other Italians and ex-pats and talks about life in Italian society from their point of view.

It includes chapters about important Italian events such as the annual celebration for the Liberation of Italy from the Nazi’s.  It covers my local festival which celebrates a traditionally impoverished neighbourhood where some of Italy’s most important film makers, artists and actors came from.  It talks about the importance of the first sea swim of the year, what happens on Year’s Eve and why, what Italians do on the weekends, and some classic and unforgettable examples of how the Italian state is run.

It details areas of Rome and its surrounding that are not covered in Guide Books, and gives surprising and key information on how to survive and enjoy Italy.  It provides little known facts and advice about Italian society, lifestyle and behaviours that enable the reader to understand, appreciate and get the most out of any experience of Italy.

It is also a personal story that brings alive the spectacular environment in which it is told.  If you have ever wondered what it would be like to live in a country that insists on a three hour lunch break (in spite of it being the eighth most industrialised country in the world); or why if you are related to someone on the Police force, are wealthy, or  a blonde female, the usual rules and laws of the country don’t apply to you; or what life would be like in the absence of economic rationalism, then you will enjoy this book.

This book is about what it is like to be so different from all those around you while identifying and appreciating things that were always missing in your own life.  It is a book about living an unending and continuously surprising adventure, about following your heart, and living amongst people who continuously use theirs.

Excerpt

CHAPTER 3 – FRANCESCA AND RITA

Are our neighbours, were our neighbours.  Today is a sad day.  It is the first day without them.  They moved out yesterday, after renting here for fifty years.  It is the end of an era and everyone in the whole apartment block is sad.

Francesca moved here with her parents when she was nine.  Her play mates are still mostly living here too.  Their parents all knew each other, she along with her other playmates, stayed here until they were married, and then returned to live here with their husbands and wives.  They then had their own children, who are now also friends.

Antonio and Gianni played together as small boys.  Antonio still lives in the same apartment underneath us, and has lived to see Gianni marry Antonella who became Francesca’s best friend.  Marianna’s mother and Francesca’s mother were best friends when Marianna and Francesca were children.  Marianna helped Francesca nurse her dying husband, who introduced Marianna to hers.

We live in a tightly knit neighbourhood.  It is unwise to get annoyed at anyone as they are usually related to someone you know quite well, or depend on (the pharmacist, the mechanic, the owner of the local trattoria – Antonio’s brother owns ours).    Many people live within walking distance of where they grew up, and where their extended family lives.  The inhabitants of this quartiere are polite to, but a little wary of, outsiders.  They are fiercely proud and protective of their suburb, and find it a little unusual that anyone would voluntarily come and live here.  For generations the traffic has been going the other way.

It probably explains why I get stared at a lot.  If I lived in one of the suburbs that are popular with foreigners, I wouldn’t get a sideways glance, but here people have the look of, “but WHY would you choose to live here, with us?!!”  It explains partly why, when your neighbours do get to know you, they embrace you with the fierceness and tightness of a mother about to be separated from her first born.  In fact you can’t get away from them, ever again.

We have a well kept, shady, shared garden area as part of the apartment complex we live in.  Our apartment complex is not public housing but was built for employees of the post office just up the road.  Marianna is one of the only post office employees left that still lives here.  The communal area consists of a rather large space, surrounded by trees and grass, sculptured by hedges and containing three separate sitting areas, complete with benches.  It is astounding to have this kind of facility in Rome.  Most apartment blocks are built one right up against each other with barely a wall between them.  The last one I lived in I didn’t need an alarm clock, the man on the other side of the wall had one and it always went off at the time I needed to get up.

I was overjoyed when I first saw the garden.  I imagined myself sitting there at any time of day, relaxing in my own bit of green space.  But the reality is I go there stealthily.  First I scout from my balcony to see if anyone is sitting in it, and then I run there as quickly as possible to avoid being spotted by anyone else.  Then I sit in the part the farthest away from the buildings and bury my head in a book, scowl, or close my eyes and chant if anyone comes close.

This amount of preparation and strategic planning is necessary.  I discovered early on that sitting there by myself was a beacon for anyone else in the apartment block to come down and join me.  Apparently what I am communicating by sitting by myself in the garden is, “Help! I am lonely and would like some company, please come and talk to me”.

Francesca often watched me when I was in the garden, waving and smoking from her balcony.  She folds boxes for a living and is also a Sarta (dressmaker).  The boxes are the staple part of her income in a land where there is no unemployment benefits, or pensions for widows.  Her husband knew the man for whom she folds boxes.  Out of charity the work was passed on to her after his death.  She is a woman who always manages to look elegant, from her fingernails to her hair.  She has a rasping cough, never walks anywhere, and has laughter continually on her face.  She is a chain smoker so there is always a cigarette on her face as well.  The entire house smells of smoke.  She is always at home, as is her twenty-five year old daughter, Rita.  Rita is tiny, like most Italian women at that age, and she could pass for fifteen.  She is beautiful and has the dark features of her Arabic father.

As I often work from home, and sometimes also my husband, Francesca was always coaxing us over for a coffee or a chat.  It was a welcome relief for me, from a day spent concentrating in front of a computer.

What first attracted me to Francesca was that she would often ring on my doorbell wearing only her pyjamas.  At midday.  I would usually still be wearing mine, and the relief to find someone else that not only thought that was OK, but that it was OK to go calling in them, was enormous.  Sometimes Rita would poke her head out of their door, and she would be wearing only her pyjamas too.  Sometimes we would spend quite a bit of time chatting together from our doorways, drinking coffee, in our pyjamas.  Francesca would always invite me in but I refused to cross my thresh hold wearing only my pyjamas.  I find it hard enough to get dressed some days as it is.  This never stopped Francesca though, or Rita, who would regularly come visiting in their pyjamas, dressing gown and slippers.  It was a private, female world we had on the top floor of our apartment block, where we knew no one would ever appear unless we knew about it first.

I first met Francesca and Rita a few months after we had moved in, during a violent rain storm.  Water had come streaming down the stairs from the roof and was forming a small lake, in the entrance hall of our apartment.  Both my husband and I stood helplessly in the corridor outside our apartment watching the flow, and not knowing what to do.  Next thing I knew, two women had bowled out of their apartment and were in mine, mopping my floor and stuffing towels on the stairs while shouting for the bloke downstairs to come and unblock the drains on the roof.  They mopped and sopped and then went back into their apartment leaving my husband and I staring at each other and wondering what we would have done without them.  We had met them once.

Yesterday we helped them pack and said goodbye to them as they drove their car out of the compound one last time.  We were all crying, and smoking.  Many of the residents had come out to say goodbye and for each hug there would be fresh tears and a fresh cigarette.  Francesca did not want to go.  The landlord wanted to sell the property and had offered her a substantial amount of money to move, two years before her lease was up.  It was more than she could hope to earn in a year.  She was entitled to stay in the apartment, even if it sold, for another two years but then she could be given notice without any compensation.  So Francesca had chosen a new rental in a seaside town about an hour south of Rome.  She could not afford to rent in Rome any longer.   She would be close to her brother who also lived there.  With the compensation she could afford to furnish the new rental and the furniture would be hers not the landlords.

Although I often declined Francesca’s daily invitations over the years, it was comforting to me that she was there.  That if I ever wanted company, a cigarette, an egg, or to know that someone would hear me scream, she was there.  I had lived some hard and sad times in this apartment and spent much time alone as a result.

I rarely spoke that much when I visited, as I usually found it a stretch speaking Italian, let alone the Roman dialect that she spoke.  I rarely offered much of myself, and I gained a lot from being with her.  Hanging out the washing together on the roof, talking about whether it would rain or not today, whether the supermarket was open, what kind of tomatoes were in season, what I was going to eat for dinner, gave me a well needed sense of normality.  Having a two minute connection with someone living in the same space and time as me, was grounding, and somehow kept me connected to life at a simple and basic level.  I felt not alone.  Not in a crowded sense, but in an “I am not on my own” kind of way.

I wasn’t really on my own, I had my husband, I had friends, but in day to day living, in daily moments when I was alone, Francesca made me feel not on my own.  I understood then how all the women in the Palazzo got on with things.  Antonella, who lived in the ground floor apartment and was Francesca’s best friend.   Marianna, whose husband left her after childbirth, nine months after they were married, twenty five years ago.  Rita, Francesca’s daughter, who could not find work.  And Francesca, whose husband died after a few short years of marriage, and who eked out a living, and who was never going to be able to afford to buy her own home.  They were always together, the women of this Palazzo, daily visits of minutes at a time.  Making sure none of them felt on their own.

In the weeks leading up to their departure, we spent most evenings with them, eating with them, going over for a chat, or just sitting together.  One evening Rita read out a letter which was addressed to my husband and I.  In the letter she told us that the thought of leaving her home where she was born, and where she had nursed her father until his death, had been continually traumatic and at times paralysing over the past few months, but that throughout it all she had felt not alone because of us.  She told us through her poetic writing, that just our presence across the hallway, our hellos and other greetings, our smiles and our availability, had helped ease the burden for her, and that she was grateful.

We didn’t see Marianna the day that Francesca and Rita left.  We saw her the next day as we were driving our car into the compound.  Her face was haggard with grief, and when she saw us she lurched towards us, almost slamming herself onto the windscreen, like a leaf in a tornado.  Luckily my husband had seen her and wound down the window in anticipation, so she did not have to bang on the glass with her fist. “ They’ve gone, they’ve gone!”, she bellowed.  “It is the end of an era!  It is not just them, it’s the end of an era.  Our mothers were friends, they knew each other, who is left to remember my mother now?  We left these apartments as Brides, both of us, and returned as wives. It’s a piece of our history that has gone.  That bastard that kicked them out, he’s a criminal without a heart!  It’s a piece of our shared history that has gone!”  I didn’t get the rest as she subsided into tears leaning on our car door.

They call Rome ‘The Eternal City’.  It refers to the fact that it is timeless, changeless, always there.  It has indeed, in many ways, resisted much of the change that has occurred in other post industrial, European capital cities.  Maybe that’s why when it comes, it is such a shock, and so hard to adjust to.  It seems that when things change in the Eternal City, they do so in a big way.

Available at all bookstores nationally within Australia, FAO and Lion Bookstore Rome, and via Amazon, Kobo and ibooks.

http://www.amazon.com/Roman-Daze-Bronte-Dee-Jackson/dp/192212933X/ref=sr_1_1?ie=UTF8&qid=1389659611&sr=8-1&keywords=roman+daze

https://www.amazon.com/author/brontejackson

Click here for a free download of the Prologue and first chapter.

https://brontejackson.files.wordpress.com/2013/12/roman-daze-la-dolce-vita-for-all-seasons.pdf

Reviews

A beautifully scenic account of one woman’s life-long love affair with Italy. Peppered with stunning imagery and interesting cultural insights, Jackson presents the country’s quirks and eccentricities with the fondness of a local. She takes your hand as she walks the streets of Rome, infects you with her passion for the city and its surrounds, and guides you to all its hidden treasures.

Independent Publishers Australian competition 2012 (IP Picks) http://ipoz.biz/News/eNews53.htm. Best Creative Non-Fiction: 1st Commended, Bronte Dee Jackson (VIC), Roman Daze

Rome, the eternal city, presents a princely setting for this cultural enquiry …. how do people live here? Bronte Jackson’s journey is one of personal discovery … a perceptive narrative about friendships found; where street markets assume seasonal differences in pasta, wines, and storytelling amongst the neighbours.

Daryl Jackson, Author, Daryl Jackson Architecture: Short Essays

Much travel writing is by experienced journalists based on quick impressions on sponsored trips. Roman Daze is the account of a 17-year love affair with a city. Written in a deceptively easy prose style, it is recommended to both first-time and regular visitors to the Eternal City.

Professor Geoff Burrows, Editor, Insights: Melbourne Business and Economics

Eat, Love, Eat – Hold the Praying! Roman Daze is a wonderful read for anyone interested in food, culture, people, travel, Italy – and especially food! The author has an exquisite ability to describe places, people, and meals so that they come to life.

Liliane Grace, Author, The Mastery Club and The Hidden Order