Top 10 restaurants in Rome

As more and more visitors are returning to Rome I am getting asked this question often, hence the post!  I originally posted this 10 years ago………that’s why they call Rome the ‘Eternal City’, nothing much changes very quickly, and when it comes to food, I am eternally grateful for that.

My definition of a top Roman restaurant is one that has one or more of the following characteristics:

• has been in operation for at least one hundred years
• is family run 
• specialises in traditional Roman cuisine (simple, fresh, and offal based)
• has a menu that changes depending on what is available at the market that day
• is frequented by Romans
• offers excellently cooked gluten free pasta dishes 

I found all the following through living here, walking past them, sampling them extensively (as well as a lot of others). There are also many excellent restaurants in the suburbs of Rome but I have stuck to the city centre, where most visitors will be staying and prefer to eat. So here goes, not in any particular order:

1.  Antica Hostaria Romanesca – Piazza Campo dei Fiori, 40 – 06 6864024

I have been going here for over 25 years. The bread and fettucine are home-made by the Nonna who sits in the small front room of the restaurant and makes it while you watch if you are lucky. Her grandson Luca and his sister run the restaurant. It consists of one small room plus a square of the piazza. There is a sign on the wall written in local dialect warning about the wait and not to bother the chef with complaints.  But it is worth it.  Dishes are individually and lovingly prepared, and spilling over with food of the highest and freshest quality. 

The Spaghetti alla Carbonara, Pollo con Peperoni (a uniquely Roman dish)/chicken with capsicum, and Fegato alla griglia/grilled liver (featured above along with the roasted porcini mushrooms and puntarelle salad, burrata cheese and grilled zucchini, and a dessert called Sbriciolata alla nutella) are the best I have ever tasted.  But everything on the menu is good, cheap, and cooked with care and attention to detail.  Try any of the specials as they will be seasonal and based on the chefs traditional knowledge. And while you are waiting you will have the spectacular Campo dei Fiori to watch – full of people, no cars, magnificent medieval buildings, and a statue of Giordano Bruno, the last person burnt to death there in 1600 for heresy (proclaiming that the earth circled around the sun rather than the other way around).  Reflect on how, if waiting for some spectacular Roman food while sipping wine and eating warm bread is the main problem you have at the moment, then life is much improved since 1600.

2. La Carbonara  – Piazza Campo dei Fiori,23 .- 06 6864783

You will be lining up often with international movie stars and politicians to get a seat but it is not a pretentious or expensive place, just a Roman institution.  At the other end of the piazza from Antica Hostaria Romanesca, it is thankfully much larger indoors so you can eat either on the piazza or inside with air conditioning / heating. It produces very traditional, high quality Roman dishes. The Fiori di Zucca/fried zucchini flowers (featured below along with the lamb chops and potatoes, and Carbonara in the background), Saltimbocca alla Romana (veal with proscuitto and sage) are the best I have ever tasted and the Carbonara is on a par with Antica Hostaria Romanesca.  Again you will have the Campo dei Fiori piazza to look out upon and will be entertained by a parade of non-stop buskers.

3. Da Luigi – Piazza Sforza Cesarini 23 (between Campo dei Fiori and Piazza Navona), 06 6865 946

I stumbled on this place when I used to live around the corner and noticed it was always full with lines of people waiting. Da Luigi is packed full with Roman families who like to keep this place a secret.  It is squashed along the side of a tiny piazza for outdoor seating but there is also extensive seating indoors in a variety of wood panelled rooms.  Here you will find reasonably priced, down-to-earth Roman dishes specialising in sea food but also pizzas and meat dishes.  It is noisy and always crowded and there is nothing to look at, but the variety and good reliable quality of the food makes up for it. Try the fried artichokes.

4.  Ai Spaghettari – P.za di San Cosimato, Trastevere 57-58-59-60

A beautiful, succulent and rich experience of a typical, restaurant, that has nevertheless been around for half a century or more.   It is based in the most traditional part of Rome, Trastevere, a mostly pedestrian only precinct, which is now packed with restaurants and is an enchanting neighborhood to eat in.  Ai Spaghettari is always noisy, has the television blaring, and is always full.  A pizza oven greets you at the door and you can watch while your pizza is made, being flung up in the air and all. There are vast amounts of seating outside and in, and service and menu are both good, featuring lots of traditional Roman specials.  If you don’t book you may be waiting a while but you will get a seat eventually. (no GF pasta or pizza)

5.  Pizzeria Popi Popi – Via delle Fratte di Trastevere 45, 06-589-5167

I avoided going to this restaurant for years as it looks like the typical tourist trap often found in Trastevere.  Red checkered table cloths, tables set outside in front of a beautiful, white marble church, and filled with tourists.  Then my Italian husband and his mates took me there.  Now we know the waiters by name.  Frequented by both Italians and tourists alike, its cheap and cheerful outdoor atmosphere make it a superb summer Roman dinning experience (and indoors for Winter).  They have a large and traditional menu (including pizza) and the food always tastes surprisingly good for its quick production, volumes turned-over, and large variety.  Their Tiramisu is one of the main  reasons we keep going back.  By the way, once I asked the waiter what the significance of the name was.  He told me its the sound that Italian men make when they squeeze the breast of a woman “popi, popi”.   Booking is optional but recommended, but if you just turn up the waiters will look after you. (no. GF pasta or pizza)

6. Ciak – Vicolo de’ Cinque, 21 ,Trastevere 06 5894774

Carnivores unite! (You can probably tell by now that I am not a vegetarian but all of these restaurants have great vegetable dishes and vegetarian options on offer too, although probably best to avoid this one if you are a vegetarian). The window is packed with hanging dead animals of the kind not often seen – boar, pheasant, deer and hare.  Deep rich, red salamis of wild boar, pastas with venison ragu, stews of hare, Fred Flintstone steaks of beef, pork and veal are all on the menu here and nothing much else.  If meat is what you are after you will get any kind your heart desires (including heart…..).  It feels like you are eating in a Tuscan agroturismo with bare brick walls, lively noise and Chianti bottles everywhere.  The huge open grill is at the front and you can go and choose your type and cut of meat before cooking.  Best to book as it tends to be a restaurant that people go to specifically for this kind of food. (no GF pasta)

7.  Spaghetteria L’ Archetto – Via dell’Archetto, 26, Trevi Fountain 06 678 9064

This is the Frat Boy version of these top ten restaurants in that it has foregone all the add-ons of Italian cuisine and just focuses on the pasta.  Exactly 100 different pasta dishes can be ordered here and not much else.  But why would you bother coming here for anything else, their pasta dishes are fantastic?  Originally another restaurant I stayed away from as it seemed too gimicky, but I was dragged again along by my husband and his mates who had all eaten here for years.  Once I tasted my Fiume di Londra (London Fog) pasta dish I understood that no short cuts had been taken in delivering high quality, mouth watering food. This is a great place to go when you are sick of the same menus in all the other more traditional restaurants of Rome, although here you can get the traditional plates as well of course.  Try also the Pasta al Limone and the Penne alla Vodka a traditional dish that many restaurants disdain to put on their menus but is delicious and won’t make you drunk (although perhaps best not served to children).  Their vegetable dishes and Tiramisu are pretty good too.  Outside seating is on the cobblestoned street so cars will pass at your elbow.  Inside there is plenty of space available although it is like a warren, all underground, and airless at times.  If you book try to sit outside or ask for a table close to the entrance. 

8. Taverna Agape – Piazzetta di, Vicolo di S. Simeone, 26, (near Piazza Navona) 066879694

If you are looking for a romantic night out then this Roman institution is perfect. It offers everything except pizza and looks out onto a quiet medieval piazza complete with its own fountain. Try the pasta Cacio e Pepe (traditional Roman sheeps cheese and fresh black pepper) pasta.

9. Osteria dei Cappellari, Via dei Cappellari, 66, (near Campo dei Fiori) 069436 6598

A beautifully decorated, traditional osteria with relaxing ambience and excellent, seasonal food, everything except pizza. Its small and intimate, crowded with candles, mirrors, hats (cappelli) and a piano, on a cobblestoned medieval pedestrian street where once hat makers had their trade. Dishes are highly seasonal, portions are generous and desserts unmissable. Try any of the types of beef steak (filetto di manzo) here, especially if its with Porcini mushrooms. No seating outdoors but why do you need it when it looks so good inside?

10. Il Marchese, Via di Ripetta, 162 (near Piazza del popolo) 0690218872

Last but not least for an excellent cocktail and/or traditional roman food with a twist, in a place that feels ancient and new, elegant and informal all at the same time…………Try the steak tartare and the house cocktails.

If you enjoyed this blog you may enjoy reading my books. Click here https://brontejackson.wordpress.com/books/

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My favourite activity of the week

The market is a two minute walk from my apartment but is unrecognisable unless you already know what it is.  For six months I walked past the shabby collection of closed up boxes wondering what they were.  Each only slightly bigger than a skip bin, they were sometimes outnumbered by them. But one day I happened across them in the morning and now shopping at my local market is my favourite activity of the week.  Whatever befalls me during the week I know I have the market to look forward to.  I wake each Saturday morning excited and happy, looking forward to the experience that I know won’t disappoint me and will be over too soon.

I am standing at the edge of Aldo’s fruit and vegetable counter hemmed in on both sides and at my back with people.  Aldo keeps up a non-stop chant, tallying up the prices of the fruit and vegetables as he weighs them while customers impatiently crowd around thrusting their bags full of produce towards him.  Hands push out from behind me at the level of my hips, towards the apricots and peaches that are stacked up in front of me, as customers continue to shop while others wait in a non-existent line based on the time they first put their bags down on top of the fruit and stopped filling them.  Every time Aldo finishes serving a customer he tells the remaining ones which of them are next, up to the last person waiting.  No one ever argues and he never gets it wrong.

All women are referred to as beautiful “bella” and young “giovanne” by Aldo who is well into his 70’s and has regular heart valve surgery.  The older you are the younger his description of you is. I am referred to as a beautiful girl “bella ragazza”. I am 55. White haired women bent over double are referred to as beautiful little girls “belle ragazzine” while young women are called “belle donne”, beautiful women.

“Hey don’t forget about me”, shouts out a man.

Only people who are new to Aldo’s stall ever say this.  The rest of us know that he knows exactly who has been waiting and for how long, and we patiently or impatiently wait our turns.

“Throw me a bag Aldo”, someone shouts and another hand is thrust out from between the bodies to receive it.

“Are these the only type of apricots you have?”

“Yes they are”, he answers, “they are from my orchard, taste one I promise you won’t be disappointed.”

“Do you have any prepared salad left?  Yes we do, Marie, get that young man a bag of salad.”

Along with answering and organising he is still weighing goods and verbally tallying them up.

The stall is open on all sides and shaded with a low canvas that covers the array of tables topped with produce.  It traps the sound in.  It is very hot and I have been standing here at least ten minutes waiting for my goods to be tallied.  But I am not in a rush.  I let others fill their bags full of apricots from the mound in front of me not fearful of losing my place under the eagle eye of Aldo and actually hoping it will take as long as possible.  Because under this cacophonous, fragrant tent stacked with figs, overflowing with cherries, nuts and lemons, decorated with eggs, honey, mozzarella and lettuce, swimming in tomatoes and zucchini and pegged down with watermelon, eggplant and cabbage, I can feel my aura being gently cleansed.

My shoulders relax and start to ease themselves down from around my ears, my spine straightens and I can feel my feet firmly on the earth for the first time since the beginning of the week.  I take root amidst the vegetables and fruit and come back to fully inhabit my body again feeling each part of me gingerly integrating and coming into the present.  I watch an old man bend over peppers and inspect each one before putting it into a paper bag. I see a youngish man next to me enthusiastically filling a bag with small deformed apples and ask him in Italian what they taste like.  I exchange a smile with a woman next to me and ask how she intends to cook her cabbage (because I don’t know how to even though I love cabbage).  I join in a general conversation and answer another man who is wondering what beetroot is and what you might eat it with.  The cares and worries of the week cascade off me, puddle in a pool at my feet, and gradually melt away into the earth.

Too soon it is my turn to be served.

“It’s this beautiful girls turn now”, Aldo announces to everyone as he drags my bags over the mounds in between us, and starts to weigh and tally out loud.  It’s like listening to a race commentator.

“We have four zucchinis, some peppers and an eggplant.  What’s in this bag now?  Oh so we have also a bag of       salad and some tomatoes along with the zucchinis, peppers and eggplant and now I can see a fennel.  What do we have in this other bag?  Oh some apricots, peaches, figs and a quarter of a watermelon.  Now we still have the zucchinis, peppers, eggplant, salad and tomatoes along with the fennel, and we are now adding the apricots, peaches, figs and watermelon.”

 

No matter what I buy it’s always the same price, twelve euros. He throws the money into the red plastic bucket he uses as a cash register. Sometimes he doesn’t even add on half the vegetables in my bags.  I try and hand him more than the twelve euros and he responds by putting another few peaches into my bag and then stacking it full of lemons, thrusting the bags back at me and turning to the next customer before I can protest.

“You can’t pay whatever you want you know”, he admonishes me.

“Well you charge me whatever you want”, I counter.

“It’s my store”, he responds, laughing.

My husband takes the heavy load of fruit and vegetables from Aldo’s garden and we move away together, me slightly sad as it will be another week before I get to stand in the aura cleansing tent again.

“What do we need next?” my husband always asks.

I don’t know.  All week my days are about ‘to-do’ lists.  Some weeks, each day is divided into half-hour slots of time where I have to produce, do, or attend something for every slot.  So when I am not at work I don’t have lists.  I buy whatever takes my fancy and I follow my intuition.

The fish lady knows this.

“What about these salmon and “orata” fish burgers that I have just prepared, or the fresh anchovies marinated in vinegar and celery? Or how about this blue fish “pesce azzuro”,  that I have just finished frying with red onion for lunch?”

The first time I tasted the salmon, I rushed back the next week and demanded to know why it tasted so different to any other salmon I had ever eaten.

“I know”, she said, winking at me and pushing her blond curls off her face with the back of her plastic gloved hand while holding a long thin knife that never seemed to leave her palm.

“It’s from a special farm in Norway where they raise the salmon to be relaxed.  They play music to them. That way they develop a lot of fat just under their skin.”

Each time I am cooking the salmon I watch the layer of fat between the skin and pink flesh melt and spit, flavouring everything.  Today she hands me the package of salmon that her father has already prepared in anticipation for us.  It has ‘Australia’ written in black biro on the paper that the fish is wrapped in.  Like Aldo she wishes me a good Sunday and tells me she will see me next week.

Unlike the fishmonger, the butcher and I regularly need to brainstorm together before any purchases can be made.

“What kind of meat would you like?”

“Lamb.”

“How would you like to cook it signora?  Baked, grilled, casseroled, with or without potatoes (my favourite so if you were wanting to invite me over that’s what I would like you to cook), vegetables, or with a little wine and olives?”

 

 

 

 

 

 

 

 

Together we come up with something and he grabs the relevant animal and prepares the cut.  He doesn’t wear gloves and cuts with a blade that could double as a paddle, some pieces are so thin you can see through them.

He is the head of the market and in charge of its comings and goings so he updates me on anything relevant and then asks what season it is in Australia, what temperature it is and how many hours flight it is again?

I linger at the grocer’s counter eyeing the array of fresh mini ricottas made from sheep or cow’s milk, some of them baked and standing up in little plastic sieves, some oozing and gooey like white butter starting to melt.  My eyes gaze upwards to the pink rounds of prosciutto, salamis and hams that would go magnificently with any of them, each one with their own salty, fatty, chewy taste.  Today I spot my favourite cheese, a camenbert made with buffalo’s milk, so subtle and yet so delicious it takes control of you and makes you finish the entire round in one sitting.  Everyone I introduce this cheese to has the same experience, and in a nation of experienced cheese tasters I am delighted to be able to offer something different and new.  It goes a long way to building up my credibility as a  resident of Italy, and being worthy of my visa.

But too soon it is over.  There is nothing left to buy unless I want a cotton handkerchief, a velvet dressing gown, or bleach, all housewife staples which are on offer and which I wish I needed, if only  to keep me looking at the market for longer.  But my husband knows we have mortadella in one of the bags and is inching me towards the exit.  And we have to stop at the flower seller on the way out.

Each week it is the same.  I moon over the herbs and flowers knowing full well we have no balcony and that all three of our window boxes are full to overflowing and threatening to take down one side of the building if I fit one more pot in there.  So I settle for blooms that cost less than one day’s worth of public transport and thank the vendor as he adds a few more in for free.

There really is nothing more to do except go home, enjoy the produce and look forward to the next market shop, one full week away.

Roman Life – Il Primo Bagno, The first swim of the season

Some things can’t be homogenised, commercialised, mass produced or copied.  Thank goodness.  You have to wait until they come around again, like the seasons of the year.  A lot of things in Italy are like that. Some see that as an archaic attitude to life, lacking rationale (economic in particular), and a wasted opportunity.  But not all experiences can be bought or made, sometimes they are just to have.  And its in the having and savoring, without a desire to do anything else with them, that Italians excel; and why their lifestyle and culture is so envied and, ironically, copied………

Its exactly eight years since I last tasted the tart little tarts, filled with fruit from the orchards and fields that surround them deep in the heart of the countryside south of Rome.  The paddocks are lined with glasshouses that supply the city with its peaches, figs, tomatoes, and berries.  Buffalo cows that produce the milk for mozzarella meander the streams that flow down from the rocky mounts behind them. into the sea just in front of them.  We search for the small, nondescript little cafe that we always stop at, about half way into our journey from the city to the sea and yes, it is still there!

And so are the tarts……… I choose blackberry and as I bite into it thank goodness that some things stay the same, that some things are a genuine expression of their local resources and culture.  I thank goodness that the owner of the bar still serves these tarts, as she watches me.  No doubt wondering why a foreigner, who has probably lived all over the world (I have), would bother to look so happy and satisfied at a roadside stop somewhere between Rome and Naples.  But I have come literally half way around the world and waited eight years for these little dense, well built, rounds of fruit.

We continue on our way to Sperlonga, a beautiful white stone, seaside town built on top of a cliff.  Its staircase, which begins at the sea, twists and turns up the mountain through caves designed to be blocked off so that invaders (including a pirate called Red Beard – really!) couldn’t reach it.  The water at Sperlonga is a particularly high quality due to the underground springs of fresh mineral water that bubble up through the seabed, in bursts of freezing cold water, in the otherwise 22 degree, translucent blue, undulating body of sea.

At the bottom of the cliff the large stone, knee height pool that fills with natural spring water is still there, built for the women of the village to do their washing in and take advantage of the clean, cold water.  Italy bursts with fresh, cold drinking water from the ground for its citizens.  Where ever you are it seems the earth sprouts forth the enticing and the necessary to enable and cherish life and encourage it to stay (or return) right here at its source, enjoying and relaxing in its abundance.  Maybe that is why the residents are so thankful to their local Saint, who presides in a full life sized statue over the beach.

It is hot and sunny, the perfect day for our first swim of the year/season. We have our lunch in the shade of the Saint, giving thanks and celebrating our first swim with local buffalo mozzarella, local tomatoes and a zucchini and ricotta strudel from this months La Cucina Italiana cooking magazine, http://www.lacucinaitaliana.it

When I first arrived in Italy, I was fresh from back packing around the Greek islands.  I wasn’t carrying any cook books in my backpack.  The internet didn’t exist and cookbooks in English were rare. I knew how to cook but not how to use Italian ingredients (I had no idea what to do with an artichoke and some months it is THE main vegetable on offer), or cook Italian food (and many of the ingredients I was used to were unavailable – pumpkin, ginger, coriander, self raising flour).  I was especially not used to only using seasonal produce.  I was so stunned the first time I asked for strawberries and everyone in the shop laughed at me.  So I needed to learn how to cook in Italy and I needed to learn Italian.  In the days before the internet, La Cucina Italiana monthly magazine did both.  I learnt all the Italian words for food and cooking terms, including local expressions like ‘a string of oil and 2 fingers of milk’, as units of measurement.  It helped that there were a lot of pictures, step by step guides and special features each month on what to do with the in season vegetables and fruit, as often you couldn’t get much else.

“Do you have anything besides zucchini?” I once asked my fruit and vegetable seller.

“What do you mean?  We have dark green zucchini, light green zucchini, baby zucchini, zucchini flowers, why do you need anything else?”

So in zucchini season its helpful to have a few recipes for zucchini. I have translated it so you don’t have to learn Italian as well. See below for recipe. Serves about 9.

1. Slice up finely and length ways (called a listerelle) about 6 zucchini (not the baby ones) with a bunch of spring onions and fry them for about 10 minutes in some italian extra virgin olive oil (its really important to use this oil and not another type), with salt, pepper and sage, oregano or bay leaf.
2. Mix together 300g ricotta cheese with 200g of fetta cheese, some salt, pepper and a small dash of italian extra virgin olive oil.
3. Mix the cooled, cooked vegetables in with the cheese and spread it on a sheet of flaky pastry.  Put another sheet on top of it and close the edges  so it is as rectangular as possible.  Make some slits on the top of it and brush it with egg yolk.  Bake it for 20 minutes at 180

 

 

 

 

 

 

 

 

 

 

 

Contact me for one of my private tours in the Tour page on this website or my Facebook page – Roman Daze

Read more in: ‘Roman Daze – La Dolce Vita for all Seasons’, Melbourne Books, 2013

Available at all bookstores nationally within Australia, FAO Bookstore Rome, and via Amazon, Kobo and ibooks.

http://www.amazon.com/Roman-Daze-Bronte-Dee-Jackson/dp/192212933X/ref=sr_1_1?ie=UTF8&qid=1389659611&sr=8-1&keywords=roman+daze

Click here for a free download of the Prologue and first chapter.

Click to access roman-daze-la-dolce-vita-for-all-seasons.pdf

#holidaysinitaly #holidaysinrome #rome #italytrip #thingstodonearrome #toptenthingstodoinrome #booksaboutitaly #walkingtoursofrome #romandaze #brontejackson #memoirsofitaly #writersinrome #englisgspeakingwalkingtours #aussiesinrome

Roman Life

The other day I was stopped on the street by a woman in a floor length, dark fur coat dripping with brooches.  Her ears hung low with sparkling baubles which matched those pinned to her fur hat.

Oh what beautiful earrings you are wearing!

Holding my shoulder, she reached out to touch my simple blue spheres.  She stood close to me and took me in from head to toe with a wide smile on her brightly painted lips, nodding in appreciation and then gasping,

and they match your eyes!

I must admit that I was a little chuffed that someone had appreciated and noticed my well put together outfit, as I usually spend quite a bit of time choosing the exact pair of earrings.  I looked at her outfit, knew I was with a kindred spirit, and knew what my task was.

Thank you.  I was just admiring your beautiful brooch, and how it exactly matches your scarf.

She beamed at me and stroked the gilt star shape she had pinned to her chest.

Well sometimes I am not sure about these things.  But I try to always look my best. I am eighty you know.

 

 

 

 

 

 

 

 

 

 

 

 

 

Italian women are rarely shy with their age.  It was my cue to exclaim that she, ”carried it well”, the best compliment you can give a woman over 50.

Many of my friends from other countries tell me they feel invisible once they turn fifty.

Move to Italy

is always my answer.

Women here are never invisible and never not looked at.  The ages of the men may get older but they never stop looking.  I have lived here since I was 29.  I was not used to being looked at in the full-bodied, appraising, unapologetic, second nature way that Italian men and women look at each other.  I got sick of it sometimes but comforted myself with the fact that it would soon enough be over.  I am now 54.  It’s not over.  And not just because “I carry it well”.  I get looked at the same amount as when I was 29, only the age range of the lookers has changed.  They have aged as I have.  Although not always.  The response “I am old enough to be your mother” didn’t seem to be working so I now say “I am old enough for you to be my second child”.  But sometimes I don’t need to say that at all.

Yesterday I was crossing an intersection,  another woman, slightly older than me was coming in the opposite direction.  As she came closer she held her arms out in an appreciative gesture and said to me “che bella signora”, or “what a beautiful lady”.  I must admit that being called beautiful in the street by random strangers on your way to buy the groceries is something that always puts a spring in my 54-year-old step.  Italians don’t seem to think that only youth have a monopoly on beauty.

 

 

 

 

 

 

 

 

 

 

 

Which is why when I am 80 I fully plan to be wearing floor length (fake) fur coats, bright red lipstick, and as much jewellery as I can attach to myself without falling over.

If you like this blog maybe you would like my Memoir:

Roman Daze – La Dolce Vita for all Seasons, Melbourne Books, 2013

Available at all bookstores nationally within Australia, FAO Bookstore Rome, and via Amazon, Kobo and ibooks.

http://www.amazon.com/Roman-Daze-Bronte-Dee-Jackson/dp/192212933X/ref=sr_1_1?ie=UTF8&qid=1389659611&sr=8-1&keywords=roman+daze

https://www.amazon.com/author/brontejackson

Click here for a free download of the Prologue and first chapter.

Click to access roman-daze-la-dolce-vita-for-all-seasons.pdf

 

La mia Garbatella

Everyone loves their own suburb. And I do love mine.  But then Garbatella is not like any other suburb in Rome, or anywhere else.

Nestled in a quiet corner between major arterial roads leading south out of Rome, and only ten minutes drive from the center of Rome, it boasts quiet communal gardens, hidden staircases in place of roads, decorative archways, green oases and tranquil piazzas.  Walking along pedestrian only paths that climb hills and meander along parks, watching women hang out laundry on communal lines while men sit smoking in shady corners and children run up and down, it feels more like the center of the many quiet little towns found in the countryside near Rome.

After having lived in the adjoining suburb, built only forty years later, where (in my apartment that was on a lean and eventually fell down), the rubbish truck woke me at 1.00 am each night with its flashing lights and loud mechanical grinding, and where at 7.00 am each morning, as the walls were so thin, the neighbors alarm clock woke me in time for work; and having lived in the very center of Rome in a medieval apartment block whose bathroom roof caved in one night and where I could go for a week without ever seeing a living plant; I stumbled on this green suburb full of well built houses by accident in 1998 (as the only suburb I could afford which was close to the city center), and wondered how it was possible that such a jewel could exist.

Slowly I found out, although some of the facts are a bit hazy and like all good creation stories several versions exist of the same event.  In the 1920’s someone, let’s say Mussolini, decided to build a suburb outside of Rome in the countryside to house in particular, the poor.  It could have been a social experiment, one that was popular at the time as cities all over the world were planning how to effectively house more people.  Gandhi came on a visit here, dressed in his white robe, to see an example of what could be offered to ensure that even the poorest could be housed effectively.  This event at least is fact as there is a picture of it on a sign post in my suburb.

Or it could have been that as the Vatican and the Italian government had made a truce to peacefully co-exist as separate states, and in thanks to the Vatican for a sizable donation, the Italian government decided to clear the slums that bordered around and obscured the Vatican, building in their place a huge driveway and stately road leading up to the Vatican (called appropriately Conciliation Street) and necessitating the removal and re-housing of thousands of city slum dwellers.  There are several other versions but they all involve re-housing city slum dwellers into low-rise blocks, built to look like the mid 1800 apartment blocks they were used to, but placed within communal gardens, a unique setting in Italy.  Due to the fact that the new suburb was miles away from where these families had always lived, it was built complete with kindergartens, primary and secondary schools, restaurants, hotels, a public bath house, theater, playgrounds, fountains and piazzas.  As though it had always been there.

 

 

 

 

 

 

 

 

When you build a suburb from the beginning you have many advantages.  Like what it will look like and what goes where.  In addition you have the opportunity to use the buildings and the spaces to foster the behaviors you desire and to create community.  Especially necessary when thousands of people are uprooted and plonked down miles away in an alien environment.  So architectural competitions were held to create all the public buildings (theater, baths, hotels), resulting in all the best architects of the time contributing to the new suburb.  Public spaces were created within each city block so that apartment blocks faced onto private yet communal gardens, walk ways, washing lines and other places to gather, just like the small pedestrian streets and spaces that had previously defined their inner city neighborhoods. Curving streets, round piazzas and even rounded and curved buildings created spaces that felt organic rather than planned.  The use of staircases to connect streets or instead of them, created spaces for pedestrians to travel and move around the suburb never meeting any traffic, much like a small country village.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Garbatella has moved through many phases as the city of Rome grew up and around it, engulfing the fields that once surrounded it. From being shamed as a modern-day slum unwelcome to outsiders (but with very cheap rentals to foreigners who didn’t know about that), to a center for cutting edge arts and radical politics, full of some of the best traditional Roman restaurants and trendy new wine bars.  It is still a place where most people who live here also work in the suburb, where many generations of the same family live and where people if they are not related at least know of each other and who they belong to. (I once walked into a cafe and was asked “who did I belong to?” before i was asked for my order).

It is a place where Roman dialect rather than Italian is the main language and where you can sit down to lunch and know that every thing on your table has been grown, butchered or made by the local person you bought it from.  It is a place where you can wander on a quiet sunlit afternoon through lovingly tended gardens, sit on benches under trees and hear only a fountain bubbling, and get lost rambling along tree-lined paths under arches and up staircases around a whole suburb without ever crossing a street.  So I do love my suburb.  La mia Garbatella!

 

 

 

 

 

 

 

 

 

 

 

 

If you would like to read more about La bella Garbatella you can do so in my book Roman Daze – La Dolce Vita for all Seasons.

https://www.amazon.com/Roman-Daze-Bronte-Dee-Jackson/dp/192212933X

What’s up in a Roman January?

January is a cold, dark, short month.  It’s sometimes better just to hunker down and get it over with.  Then again sometimes its hard to notice it at all.  By the time Christmas and New Years festivities are gotten over, it’s almost finished anyway, and there isn’t much to do until the Carnevale starts livening things up again in February.

So this post will be short.  It’s just to let you know that January is not a great month to visit Rome.  Everyone is tired, especially at the Vatican.  Many places close for a restful few weeks, and those that can, get out of the city and go skiing.  No one wants to party or eat much, and no one is very interested in serving you.  It’s too cold to stay outside for very long and enjoy the best parts of Rome, which are actually mostly outside.  Although the keen winter sun does make it lovely for a short stroll either just before lunch or just after.

If you do happen to be stuck in Rome in January the three best things to do all begin with S – shopping (there are lots of sales), skiing (ski fields only about an hour away) and sipping hot chocolate.

A Roman hot chocolate is a spiritual experience and will revive even the most jaded of palates and auras.  When I first got handed a hot chocolate in Rome I thought someone had made a mistake in my order.  It looked nothing like the brown, milky, liquid hot chocolate I grew up with.  You basically had to eat it with a spoon and it came with an inch of whipped cream on the top to “even out the chocolate”.  In Rome a hot chocolate is taken standing up at the counter of your local cafe, or sitting at a table alone or with friends.  In Winter it is one of the basic five food groups, along with deep red Chianti.  But as most people are heartily sick of drinking by January, and are saving themselves for Carnevale, a hot chocolate is a steady substitute.

Italy has some of the best ski slopes in the world, the most breathtaking scenery and the most comfortable accoutrements to skiing in the Western world.  Added to this is the high fashion still apparent on the slopes, the spectacular food and venues, and it is a pretty good way to pick yourself up during a dark, cold January.

Lastly the sales.  While others are working off their Christmas kilos on the slopes or dieting by drinking hot chocolate alone, some are using shopping as their cardio.  It’s not just the heart stopping deals and the adrenaline inducing battles that go on between shoppers, it’s that you end up walking for ages, laden down with bags due to the fact that the bargains just go on and on.  It is also an ideal way to throw off Winter blues.

Oh and if you are still stuck for ideas, try http://www.wantedinrome.com and  http://www.facebook.com/TheYellowRomeGuide  between these two you will find everything else you need to enjoy a Roman January.

Happy 2018!!!

A tale of Italian cities – Taranto rehabilitated

Each year when I attend the Italian Film Festival in Melbourne I feel like I get a glimpse into the heart and soul of Italy through the films that have been made, and most loved, by Italians that year.  Last year I was struck by the number of films set in or around Taranto, where my husband is from, and which during the 17 years I lived in Rome, no one ever seemed to have visited or wanted to.

I had been visiting Taranto regularly over the years, spending long periods at Christmas, Easter and the summer months.  It always seemed strange to me that a place that was so much cheaper than the rest of Italy, with some of its best beaches and spectacular food, was not over run with Italians and other tourists. To me it was a place of unique beauty, full of love and laughter from my in-laws, and people that stared at me unabashedly like I was an alien, but who were never the less incredibly welcoming and friendly.

I got engaged in 2002 and I was living in Rome at that time.  When I excitedly shared the news with my local Roman café/bar owners and shop keepers that I was to be married, there was a look I didn’t recognise that came over all of their faces, and a distancing.  Their congratulations were formal and stilted, quite different from the jokey comradery we had built up over the years.  The change seemed to come because I said my fiancée was from Taranto, not because I said I was to be married. I recounted reactions I was getting to the new I was marrying a man from Taranto to my fiancee.  To my surprise he wasn’t surprised.

“Taranto doesn’t have a great reputation in the rest of Italy”

I felt like my parents had told me I was adopted, that the view I had of the world was wrong, and that everyone was in on the conspiracy.  I listened to the descriptions given by my fiancee  as examples of what others in Italy thought of Taranto – lazy Southerners, violent knife wielding thieves, impoverished communist strongholds, aggressive and illiterate fisher-folk, Mafia corruption, and backward saint worshipping enclaves.

So it was with much pride and some amazement that I watched ‘Daddy’s Girl’, ‘Ever been to the moon?’ and ‘Pomodoro’, three films all set in or near Taranto in the 2016 Film Festival.  Each of these films juxtaposed the North of Italy with the South.  Only this time the stories had changed.  Taranto is portrayed as a bastion of humanitarian principles in a world gone mad with excess and ego, a stronghold of human kindness in a world obsessed with image and power, a place that has not lost its core human values of connection with the land and the life sustaining food it produces, and as having deep wisdom about the true needs of the human soul.

In these films it feels like Italy is telling a story about herself; portraying herself as the troubled teenager that went off to find her fortune in the big city and got sick from too much of a good time, returning to her roots to find what she has been searching for, what truly sustains her, was always there.  The common theme in these films is that modernity, luxury, wealth, fame are not always the pots of gold they are made out to be, there are disadvantages to them just as there are to primitiveness, poverty, sobriety and ignorance.  It seemed that through these films Italians were expressing their lessons learnt and revaluing some things about themselves that perhaps previously only outsiders could see.   I am looking forward to the 2017 round of films and this years’ stories that Italians tell about themselves.

Italian kindness – is it a cultural value?

In this quarter of the year I have seen a number of pieces of journalism about kindness, its power, and whether we as Australians have enough of it.  At the same time I saw an article in The Age about the kindness of some Roman policemen that seemed to touch the hearts of many.  An elderly couple, both in their late 80’s, had been heard crying in their apartment in Rome, the police had been called by neighbours, and when asked what was wrong the couple had told them that they were lonely, and a bit frightened by events they saw on their nightly news.  The policemen’s response?  They made the elderly couple a bowl of pasta each, with burro e parmigiano, and sat talking with them awhile.

I got to thinking about kindness and whether it was a cultural value or a human value.  Were some societies kinder than others, or did they value it higher?

The actions of the police did not surprise me at all.  It illustrated what I have always felt about Italians, and experienced living in Italy, they have what I call a ‘human first’ approach to life.  That is, above everything I am first a human in their eyes.  I may also be a customer, a tax payer, a recipient of a service, a citizen with rights and obligations, a patient, a competitor, a tourist, a student, a stranger, a passenger, a worker, a bank account holder, a voter. But before all of these things I am a daughter, a son, a mother, a father, a sister, a brother, a wife, a husband, and a human.  This means I am responded to first, as one of these categories, before any of the others.  This has its advantages and its disadvantages.

I remember one time when I had been living in Rome less than a year and the gas rings on my stove top didn’t work anymore.  My Irish flatmate and I did not speak much Italian but we were sure that the phone number on our gas bill was where you reported any problems with your gas supply.  We were surprised when we were told that someone would be out to check within half an hour.  Services did not usually respond that quickly.  We were even more surprised when twenty minutes later we opened the door to four men wearing gas masks attached to oxygen tanks, full protective clothing, and carrying machinery and pipes.

Instead of being angry that we had called the National Emergency Services because we couldn’t cook our pasta, they kindly took off their protective gear, and fixed our gas faucets for free.

Last month when I returned to Rome for a visit, rather than take a taxi to my apartment from the train station with my luggage, I wanted to walk through the quartier and savour my return.  As I dragged my huge suitcase over cobble stones, cracked pavements and between parked cars, picking my way slowly to my old apartment I was both sweating and crying at the same time, overcome with joy at being back.

Are you OK Signora?  I got asked every 10 metres.  Are you lost?  Do you need help?

No, no thanks, I kept replying, I’m at home, I’m OK, thank you.

I remembered another time, exasperated with frustration, when I demanded to know from our local Roman bus driver why the bus was always twenty minutes late, and why two of the same number bus always arrived together every forty minutes instead of one every twenty minutes.   He told me that they didn’t want to leave the other one alone at the bus depot.

I remember the conversations I have with some Australians about how 20,000 refugees a year arriving in Australia seem to be too many for them.  While Italy receives 100,000 a year in a country the size of Victoria, and with three times our population, without locking them in prison or deporting them.  It’s the human first principle at work again, to one countries demise we might surmise, given Italy’s economic crisis.  But to the overall improvement of global kindness as a cultural value we hope.

Italian Four Seasons

Hi everyone, Spring is in the air, so I thought i would share my latest column from ‘Segmento’  – the Italian/Australian magazine that seeks to be a link between modern Italian culture and the rich history that Italian migrants have preserved where ever they have migrated.

Roman Daze – La Dolce Vita for all Seasons

Hi all,

In celebration of it being the 70th Anniversary of the Republic of Italy (and who really needs a reason to celebrate all things Italian), I wanted to take the opportunity to remind you of, or introduce you to, my book Roman Daze – La Dolce Vita for all Seasons.  Please see below for a synopsis and sneek preview.  This book can be purchased through Amazon worldwide (in hard copy of as an e-book), from the FAO and Lion Bookshops in Rome, or in any Australian bookshop.  Links are provided below.  Happy reading!

Synopsis

This is a book about Italy, Rome and me.

It is not a book about falling in love and marrying an Italian, running a B&B, or restoring a farmhouse.

I arrived in Italy on a whim as a result of having won an airline ticket in a raffle. The city of Rome captivated my heart and I decided to stay awhile.  It was the year before Berlusconi came to power.  Seventeen years later we were both still there.  Much to everybody’s amazement, particularly our own (although I can’t strictly speak for Berlusconi).

Rome and Italy are places of extreme contrasts.  The Italian political system, its Universities, banks, and industries are in disarray.  Italy has always seemed to be on the verge of crumbling according to many economic indicators.  And yet somehow life continues on a daily basis in much the same way it has for hundreds of years.   The breath taking countryside, stunning islands and beaches, non- stop blue skies, excellent food and wine, art collections, fashion, family, tightly knit neighbourhoods, rituals and traditions, and the beauty of the cities make it hard to be gloomy or to reconcile the failure of so many of its institutions.  It is easier to have an excellent coffee, stop and chat awhile with your neighbour.

This is a book about how seasons, food, family, architecture, nature, traditions, and weather all come together to create the lifestyle of Italians much more so than their economic well being, and why it looks like La Dolce Vita to most of us.   It also debunks some myths of La Dolce Vita and shows the not so attractive side of being Roman/Italian that tourists don’t get to see.

The book is divided into four sections – Spring, Summer, Autumn, Winter.  It describes the city of Rome, its inhabitants and lifestyle for each season and time of year – the food, rituals, events, practices and behaviour that go with each season and why.  This is a fundamental key to the differences between an Anglo-Saxon culture based on economic rationalism and one which is dictated by the weather/natural environment and by human relationships.  And it is a difference that has far reaching effects in all aspects of Italian society, economics and attitude.

The book also follows my movements as I participate in each season’s rituals and practices, some of which are easy, some not, some I still find bizarre and some I revel in.   It highlights several key relationships I have with other Italians and ex-pats and talks about life in Italian society from their point of view.

It includes chapters about important Italian events such as the annual celebration for the Liberation of Italy from the Nazi’s.  It covers my local festival which celebrates a traditionally impoverished neighbourhood where some of Italy’s most important film makers, artists and actors came from.  It talks about the importance of the first sea swim of the year, what happens on Year’s Eve and why, what Italians do on the weekends, and some classic and unforgettable examples of how the Italian state is run.

It details areas of Rome and its surrounding that are not covered in Guide Books, and gives surprising and key information on how to survive and enjoy Italy.  It provides little known facts and advice about Italian society, lifestyle and behaviours that enable the reader to understand, appreciate and get the most out of any experience of Italy.

It is also a personal story that brings alive the spectacular environment in which it is told.  If you have ever wondered what it would be like to live in a country that insists on a three hour lunch break (in spite of it being the eighth most industrialised country in the world); or why if you are related to someone on the Police force, are wealthy, or  a blonde female, the usual rules and laws of the country don’t apply to you; or what life would be like in the absence of economic rationalism, then you will enjoy this book.

This book is about what it is like to be so different from all those around you while identifying and appreciating things that were always missing in your own life.  It is a book about living an unending and continuously surprising adventure, about following your heart, and living amongst people who continuously use theirs.

Excerpt

CHAPTER 3 – FRANCESCA AND RITA

Are our neighbours, were our neighbours.  Today is a sad day.  It is the first day without them.  They moved out yesterday, after renting here for fifty years.  It is the end of an era and everyone in the whole apartment block is sad.

Francesca moved here with her parents when she was nine.  Her play mates are still mostly living here too.  Their parents all knew each other, she along with her other playmates, stayed here until they were married, and then returned to live here with their husbands and wives.  They then had their own children, who are now also friends.

Antonio and Gianni played together as small boys.  Antonio still lives in the same apartment underneath us, and has lived to see Gianni marry Antonella who became Francesca’s best friend.  Marianna’s mother and Francesca’s mother were best friends when Marianna and Francesca were children.  Marianna helped Francesca nurse her dying husband, who introduced Marianna to hers.

We live in a tightly knit neighbourhood.  It is unwise to get annoyed at anyone as they are usually related to someone you know quite well, or depend on (the pharmacist, the mechanic, the owner of the local trattoria – Antonio’s brother owns ours).    Many people live within walking distance of where they grew up, and where their extended family lives.  The inhabitants of this quartiere are polite to, but a little wary of, outsiders.  They are fiercely proud and protective of their suburb, and find it a little unusual that anyone would voluntarily come and live here.  For generations the traffic has been going the other way.

It probably explains why I get stared at a lot.  If I lived in one of the suburbs that are popular with foreigners, I wouldn’t get a sideways glance, but here people have the look of, “but WHY would you choose to live here, with us?!!”  It explains partly why, when your neighbours do get to know you, they embrace you with the fierceness and tightness of a mother about to be separated from her first born.  In fact you can’t get away from them, ever again.

We have a well kept, shady, shared garden area as part of the apartment complex we live in.  Our apartment complex is not public housing but was built for employees of the post office just up the road.  Marianna is one of the only post office employees left that still lives here.  The communal area consists of a rather large space, surrounded by trees and grass, sculptured by hedges and containing three separate sitting areas, complete with benches.  It is astounding to have this kind of facility in Rome.  Most apartment blocks are built one right up against each other with barely a wall between them.  The last one I lived in I didn’t need an alarm clock, the man on the other side of the wall had one and it always went off at the time I needed to get up.

I was overjoyed when I first saw the garden.  I imagined myself sitting there at any time of day, relaxing in my own bit of green space.  But the reality is I go there stealthily.  First I scout from my balcony to see if anyone is sitting in it, and then I run there as quickly as possible to avoid being spotted by anyone else.  Then I sit in the part the farthest away from the buildings and bury my head in a book, scowl, or close my eyes and chant if anyone comes close.

This amount of preparation and strategic planning is necessary.  I discovered early on that sitting there by myself was a beacon for anyone else in the apartment block to come down and join me.  Apparently what I am communicating by sitting by myself in the garden is, “Help! I am lonely and would like some company, please come and talk to me”.

Francesca often watched me when I was in the garden, waving and smoking from her balcony.  She folds boxes for a living and is also a Sarta (dressmaker).  The boxes are the staple part of her income in a land where there is no unemployment benefits, or pensions for widows.  Her husband knew the man for whom she folds boxes.  Out of charity the work was passed on to her after his death.  She is a woman who always manages to look elegant, from her fingernails to her hair.  She has a rasping cough, never walks anywhere, and has laughter continually on her face.  She is a chain smoker so there is always a cigarette on her face as well.  The entire house smells of smoke.  She is always at home, as is her twenty-five year old daughter, Rita.  Rita is tiny, like most Italian women at that age, and she could pass for fifteen.  She is beautiful and has the dark features of her Arabic father.

As I often work from home, and sometimes also my husband, Francesca was always coaxing us over for a coffee or a chat.  It was a welcome relief for me, from a day spent concentrating in front of a computer.

What first attracted me to Francesca was that she would often ring on my doorbell wearing only her pyjamas.  At midday.  I would usually still be wearing mine, and the relief to find someone else that not only thought that was OK, but that it was OK to go calling in them, was enormous.  Sometimes Rita would poke her head out of their door, and she would be wearing only her pyjamas too.  Sometimes we would spend quite a bit of time chatting together from our doorways, drinking coffee, in our pyjamas.  Francesca would always invite me in but I refused to cross my thresh hold wearing only my pyjamas.  I find it hard enough to get dressed some days as it is.  This never stopped Francesca though, or Rita, who would regularly come visiting in their pyjamas, dressing gown and slippers.  It was a private, female world we had on the top floor of our apartment block, where we knew no one would ever appear unless we knew about it first.

I first met Francesca and Rita a few months after we had moved in, during a violent rain storm.  Water had come streaming down the stairs from the roof and was forming a small lake, in the entrance hall of our apartment.  Both my husband and I stood helplessly in the corridor outside our apartment watching the flow, and not knowing what to do.  Next thing I knew, two women had bowled out of their apartment and were in mine, mopping my floor and stuffing towels on the stairs while shouting for the bloke downstairs to come and unblock the drains on the roof.  They mopped and sopped and then went back into their apartment leaving my husband and I staring at each other and wondering what we would have done without them.  We had met them once.

Yesterday we helped them pack and said goodbye to them as they drove their car out of the compound one last time.  We were all crying, and smoking.  Many of the residents had come out to say goodbye and for each hug there would be fresh tears and a fresh cigarette.  Francesca did not want to go.  The landlord wanted to sell the property and had offered her a substantial amount of money to move, two years before her lease was up.  It was more than she could hope to earn in a year.  She was entitled to stay in the apartment, even if it sold, for another two years but then she could be given notice without any compensation.  So Francesca had chosen a new rental in a seaside town about an hour south of Rome.  She could not afford to rent in Rome any longer.   She would be close to her brother who also lived there.  With the compensation she could afford to furnish the new rental and the furniture would be hers not the landlords.

Although I often declined Francesca’s daily invitations over the years, it was comforting to me that she was there.  That if I ever wanted company, a cigarette, an egg, or to know that someone would hear me scream, she was there.  I had lived some hard and sad times in this apartment and spent much time alone as a result.

I rarely spoke that much when I visited, as I usually found it a stretch speaking Italian, let alone the Roman dialect that she spoke.  I rarely offered much of myself, and I gained a lot from being with her.  Hanging out the washing together on the roof, talking about whether it would rain or not today, whether the supermarket was open, what kind of tomatoes were in season, what I was going to eat for dinner, gave me a well needed sense of normality.  Having a two minute connection with someone living in the same space and time as me, was grounding, and somehow kept me connected to life at a simple and basic level.  I felt not alone.  Not in a crowded sense, but in an “I am not on my own” kind of way.

I wasn’t really on my own, I had my husband, I had friends, but in day to day living, in daily moments when I was alone, Francesca made me feel not on my own.  I understood then how all the women in the Palazzo got on with things.  Antonella, who lived in the ground floor apartment and was Francesca’s best friend.   Marianna, whose husband left her after childbirth, nine months after they were married, twenty five years ago.  Rita, Francesca’s daughter, who could not find work.  And Francesca, whose husband died after a few short years of marriage, and who eked out a living, and who was never going to be able to afford to buy her own home.  They were always together, the women of this Palazzo, daily visits of minutes at a time.  Making sure none of them felt on their own.

In the weeks leading up to their departure, we spent most evenings with them, eating with them, going over for a chat, or just sitting together.  One evening Rita read out a letter which was addressed to my husband and I.  In the letter she told us that the thought of leaving her home where she was born, and where she had nursed her father until his death, had been continually traumatic and at times paralysing over the past few months, but that throughout it all she had felt not alone because of us.  She told us through her poetic writing, that just our presence across the hallway, our hellos and other greetings, our smiles and our availability, had helped ease the burden for her, and that she was grateful.

We didn’t see Marianna the day that Francesca and Rita left.  We saw her the next day as we were driving our car into the compound.  Her face was haggard with grief, and when she saw us she lurched towards us, almost slamming herself onto the windscreen, like a leaf in a tornado.  Luckily my husband had seen her and wound down the window in anticipation, so she did not have to bang on the glass with her fist. “ They’ve gone, they’ve gone!”, she bellowed.  “It is the end of an era!  It is not just them, it’s the end of an era.  Our mothers were friends, they knew each other, who is left to remember my mother now?  We left these apartments as Brides, both of us, and returned as wives. It’s a piece of our history that has gone.  That bastard that kicked them out, he’s a criminal without a heart!  It’s a piece of our shared history that has gone!”  I didn’t get the rest as she subsided into tears leaning on our car door.

They call Rome ‘The Eternal City’.  It refers to the fact that it is timeless, changeless, always there.  It has indeed, in many ways, resisted much of the change that has occurred in other post industrial, European capital cities.  Maybe that’s why when it comes, it is such a shock, and so hard to adjust to.  It seems that when things change in the Eternal City, they do so in a big way.

Available at all bookstores nationally within Australia, FAO and Lion Bookstore Rome, and via Amazon, Kobo and ibooks.

http://www.amazon.com/Roman-Daze-Bronte-Dee-Jackson/dp/192212933X/ref=sr_1_1?ie=UTF8&qid=1389659611&sr=8-1&keywords=roman+daze

https://www.amazon.com/author/brontejackson

Click here for a free download of the Prologue and first chapter.

https://brontejackson.files.wordpress.com/2013/12/roman-daze-la-dolce-vita-for-all-seasons.pdf

Reviews

A beautifully scenic account of one woman’s life-long love affair with Italy. Peppered with stunning imagery and interesting cultural insights, Jackson presents the country’s quirks and eccentricities with the fondness of a local. She takes your hand as she walks the streets of Rome, infects you with her passion for the city and its surrounds, and guides you to all its hidden treasures.

Independent Publishers Australian competition 2012 (IP Picks) http://ipoz.biz/News/eNews53.htm. Best Creative Non-Fiction: 1st Commended, Bronte Dee Jackson (VIC), Roman Daze

Rome, the eternal city, presents a princely setting for this cultural enquiry …. how do people live here? Bronte Jackson’s journey is one of personal discovery … a perceptive narrative about friendships found; where street markets assume seasonal differences in pasta, wines, and storytelling amongst the neighbours.

Daryl Jackson, Author, Daryl Jackson Architecture: Short Essays

Much travel writing is by experienced journalists based on quick impressions on sponsored trips. Roman Daze is the account of a 17-year love affair with a city. Written in a deceptively easy prose style, it is recommended to both first-time and regular visitors to the Eternal City.

Professor Geoff Burrows, Editor, Insights: Melbourne Business and Economics

Eat, Love, Eat – Hold the Praying! Roman Daze is a wonderful read for anyone interested in food, culture, people, travel, Italy – and especially food! The author has an exquisite ability to describe places, people, and meals so that they come to life.

Liliane Grace, Author, The Mastery Club and The Hidden Order